Elisabeth Schwarzkopf: Operetta Arias (CD review)

Otto Ackermann, Philharmonia Orchestra. EMI 7243 5 66989 2 5.

If you are like me, one of the joys of owning a large record collection is rediscovering something you haven't played in years. A friend of mine reminded me of this disc when he played a few excerpts from his own copy on the eve of his departure for Sri Lanka. He was heading off for two years in the Peace Corp, his idea of retirement, and since he could only bring a few CDs along with him, he was trying to decide which couple of dozen to take. Ms. Schwarzkopf headed his list.

The recording, from 1957 (released in 1959), remains one of the finest things the German-born Austro-British soprano Elisabeth Schwarzkopf (1915-2006) ever did, and she recorded a mountain of marvelous discs. She and her record-producer husband, Walter Legge, were meticulous about every detail of a song and a recording. Here, it shows.

It is a testament to their work that this is one of the oldest EMI recordings still selling briskly almost everywhere and in various different formats. Ms. Schwarzkopf excelled at opera, light opera, operetta, and lieder, and she and Legge would practice for hours on a single passage or the phrasing of a single note. Again, it shows.

Excerpts from Benatzky-Strauss's Casanova, Suppe's Boccaccio, Lehar's Der Graf von Luxemburg and Giuditta, and others have never come across more perfectly. The complete listing is as follows:

Elizabeth Schwarzkopf
  1. Heuberger: Der Opernball - "Im Chambre Séparée"
  2. Zeller: Der Vogelhändler - "Ich Bin Die Christel Von Der Post"
  3. Zeller: Der Vogelhandler - "Schenkt Man Sich Rosen in Tirol"
  4. Lehar: Der Zarewitsch - "Einer Wird Kommen"
  5. Lehar: Der Graf Von Luxemburg - "Hoch, Evoë, Angèle Didier"
  6. Benatsky: Casanova - "Nun's Chorus" and "Laura's Song"
  7. Millocker: Die Dubarry - "Ich Schenk Mein Herz"
  8. Millocker: Die Dubarry - "Was Ich Im Leben Beginne"
  9. Suppe: Boccaccio - "Hab Ich Nur Deine Liebe"
10. Lehar: Der Graf von Luxemburg - "Heut Noch Werd Ich Ehefrau"
11. Zeller: Der Obersteiger - "Sei Nicht Bös"
12. Lehar: Guiditta - "Meine Lippen, Sie Küssen So Heiss"
13. Sieczynsky: "Wien Du Stadt Meiner Träume"

What's more, EMI's sound is above reproach even after all these years, especially as remastered here in 1999 as part of EMI's "Great Recordings of the Century" series. It is perhaps a little rough around the edges by today's standards, but it is better than most of today's digital recordings in its sense of naturalness and its emphasis on the beauty of the human voice. Indeed, one hardly notices the orchestral accompaniment, the voice is so aesthetically dominant, which is as it should be.

This is a disc of sweetness and refinement and great joy.


To listen to a brief excerpt from this album, click below:

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Meet the Staff

Meet the Staff
John J. Puccio, Editor, Publisher, Reviewer

Understand, I'm just an everyday guy reacting to something I love. And I've been doing it for a very long time, my appreciation for classical music starting with the musical excerpts on The Big John and Sparkie radio show in the early Fifties and the purchase of my first recording, The 101 Strings Play the Classics, around 1956. In the late Sixties I began teaching high school English and Film Studies as well as becoming interested in hi-fi, my audio ambitions graduating me from a pair of AR-3 speakers to the Fulton J's recommended by The Stereophile's J. Gordon Holt. In the early Seventies, I began writing for a number of audio magazines, including Audio Excellence, Audio Forum, The Boston Audio Society Speaker, The American Record Guide, and from 1976 until 2008, The $ensible Sound, for which I served as Classical Music Editor.

Today, I'm retired from teaching and use a pair of bi-amped VMPS RM40s loudspeakers for my listening. In addition to writing the Classical Candor blog, I served as the Movie Review Editor for the Web site Movie Metropolis (formerly DVDTown) from 1997-2013. Music and movies. Life couldn't be better.
Karl W. Nehring, Contributing Reviewer

For more than 20 years I was the editor of The $ensible Sound magazine and a regular contributor to its classical review pages. I would not presume to present myself as some sort of expert on music, but I have a deep love for and appreciation of many types of music, "classical" especially, and have listened to thousands of recordings over the years, many of which still line the walls of my listening room (and occasionally spill onto the furniture and floor, much to the chagrin of my long-suffering wife). I have always taken the approach as a reviewer that what I am trying to do is simply to point out to readers that I have come across a recording that I have found of interest, a recording that I think they might appreciate my having pointed out to them. I suppose that sounds a bit simple-minded, but I know I appreciate reading reviews by others that do the same for me -- point out recordings that I think I might enjoy.

For readers who might be wondering about what kind of system I am using to do my listening, I should probably point out that I do a LOT of music listening and employ a variety of means to do so in a variety of environments, as I would imagine many music lovers also do. Starting at the more grandiose end of the scale, the system in which I do my most serious listening comprises an Onkyo C-7030 CD player, Legacy Audio StreamLine preamplifier, Legacy Audio PowerBloc2 amplifier, and a pair of Legacy Audio Focus SE speakers augmented by a Legacy Point One subwoofer. I also do a lot of listening while driving in my 2016 Acura RDX with its nice-sounding ELS Studio sound system through which I play CDs (the ones I especially like I rip to the Acura's hard drive so that I can listen to them whenever I want) or stream music through the system using my LG G7 ThinQ cell phone, which features surprisingly sophisticated audio circuitry. For more casual listening at home when I am not in my listening room, I often stream music through the phone into a Vizio soundbar system that has remarkably nice sound for such a diminutive physical presence. And finally, at the least grandiose end of the scale, I have an Ultimate Ears Wonderboom Bluetooth speaker for those occasions where I am somewhere by myself without a sound system but in desperate need of a musical fix. I just can't imagine life without music and I am humbly grateful for the technology that enables us to enjoy it in so many wonderful ways.
Bryan Geyer, Technical Analyst

I initially embraced classical music in 1954 when I mistuned my car radio and heard the Heifetz recording of Mendelssohn's Violin Concerto. That inspired me to board the new "hi-fi" DIY bandwagon. In 1957 I joined one of the pioneer semiconductor makers and spent the next 32 years marketing transistors and microcircuits to military contractors. Home audio DIY projects remained a personal passion until 1989 when we created our own new photography equipment company. I later (2012) revived my interest in two channel audio when we "downsized" our life and determined that mini-monitors + paired subwoofers were a great way to mate fine music with the space constraints of condo living.

Visitors that view my technical papers on this site may wonder why they appear here, rather than on a site that features audio equipment reviews. My reason is that I tried the latter, and prefer to publish for people who actually want to listen to music; not to equipment. My focus is in describing what's technically beneficial to assure that the sound of the system will accurately replicate the source input signal (i. e. exhibit high accuracy) without inordinate cost and complexity. Conversely, most of the audiophiles of today strive to achieve sound that's euphonic, i.e. be personally satisfying. In essence, audiophiles seek sound that's consistent with their desire; the music is simply a test signal.

Mission Statement

It is the goal of Classical Candor to promote the enjoyment of classical music. Other forms of music come and go--minuets, waltzes, ragtime, blues, jazz, bebop, country-western, rock-'n'-roll, heavy metal, rap, and the rest--but classical music has been around for hundreds of years and will continue to be around for hundreds more. It's no accident that every major city in the world has one or more symphony orchestras.

When I was young, I heard it said that only intellectuals could appreciate classical music, that it required dedicated concentration to appreciate. Nonsense. I'm no intellectual, and I've always loved classical music. Anyone who's ever seen and enjoyed Disney's Fantasia or a Looney Tunes cartoon playing Rossini's William Tell Overture or Liszt's Hungarian Rhapsody No. 2 can attest to the power and joy of classical music, and that's just about everybody.

So, if Classical Candor can expand one's awareness of classical music and bring more joy to one's life, more power to it. It's done its job. --John J. Puccio

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"Their Master's Voice" by Michael Sowa

"Their Master's Voice" by Michael Sowa