Novak: In the Tatra Mountains (CD review)

Also, Lady Godiva Overture; Eternal Longing. JoAnn Falletta, Buffalo Philharmonic Orchestra. Naxos 8.573683.

Possibly not a lot of classical-music fans in America recognize the name of Vitezslav Novak, but in his native Czechoslovakia it might be different. Novak (1870-1949) was a Czech composer whose career pretty much paralleled that of German composer and conductor Richard Strauss. And to an extent, Novak's music even seems partly influenced by the tone poems of his more-famous contemporary. As both men were born in the latter part of the Romantic era of classical music making and lived well into the modern age, one can find elements of both styles in the composers' works.

On the present disc, JoAnn Falletta leads her Buffalo Philharmonic in three brief descriptive pieces by Novak: In the Tatra Mountains, the Lady Godiva Overture, and Eternal Longing. If there's any drawback to the program, it's that despite including three pieces, it's rather short on quantity, the disc containing only about fifty-two minutes of music. But it's quality that counts, and Ms. Falletta does a fine job illuminating the color, excitement, solemnity, and nationalism of the works involved.

First up is In the Tatra Mountains, a symphonic poem from 1902. As you might expect from the title, it is a musical representation of a mountain range Novak knew well. It's largely a sweet, bucolic piece, caressed lovingly by Ms. Falletta and her Buffalo ensemble. When it builds energy in the middle section (the inevitable thunder storm), Falletta is up to the task yet doesn't overplay her hand. The increase in tension and conflict comes smoothly and organically, like the mountains themselves. She handles the music deftly, poetically.

JoAnn Falletta
Next is the Lady Godiva Overture from 1907. Written in only two days, it became nevertheless one of Novak's most-popular pieces, dramatic and theatrical in its presentation. In this latter regard, it stands in stark contrast to the lyrical flow of the preceding work, the overture far more active and, frankly, more mundane. Nevertheless, Ms. Falletta invests it with a histrionic urgency appropriate to its Romantic leanings.

The final piece is Eternal Longing, written in 1905 and based on a poem by Danish author of fairy tales Hans Christian Andersen and a setting by Jaroslav Vrchlicky. This is the most evocative of Novak's music on the disc, conjuring up dark, haunting landscapes and seascapes of mystery and suspense. Again, Falletta and her players adjust well to the composer's demands and offer up a lustrous account of this sometimes overlooked score.

Producer, engineer, and editor Tim Handley made the recording at Kleinhans Music Hall, Buffalo, New York in June 2016. The sound seems typical of most good Naxos products. It's slightly soft and warmly ambient without being too mushy or reverberant. It's fairly transparent and well detailed without being too bright, too forward, or too very edgy. The sound spreads out widely across the soundstage without leaving holes in the middle. It's also dynamic without knocking a listener out of his seat. It's realistic and pleasant without calling attention to itself. While there is some harshness to the upper frequencies in louder passages, it's not enough to distract one from the music making.

One caution: The opening piece, In the Tatra Mountains, begins so softly it may tempt one to turn up the volume. I advise not doing so. It will get louder soon enough, and one may find oneself having to readjust the level before long.

JJP

To listen to a brief excerpt from this album, click on the forward arrow:


No comments:

Post a Comment

Meet the Staff

Meet the Staff
John J. Puccio, Editor, Publisher, Reviewer

Understand, I'm just an everyday guy reacting to something I love. And I've been doing it for a very long time, my appreciation for classical music starting with the musical excerpts on The Big John and Sparkie radio show in the early Fifties and the purchase of my first recording, The 101 Strings Play the Classics, around 1956. In the late Sixties I began teaching high school English and Film Studies as well as becoming interested in hi-fi, my audio ambitions graduating me from a pair of AR-3 speakers to the Fulton J's recommended by The Stereophile's J. Gordon Holt. In the early Seventies, I began writing for a number of audio magazines, including Audio Excellence, Audio Forum, The Boston Audio Society Speaker, The American Record Guide, and from 1976 until 2008, The $ensible Sound, for which I served as Classical Music Editor.

Today, I'm retired from teaching and use a pair of bi-amped VMPS RM40s loudspeakers for my listening. In addition to writing the Classical Candor blog, I served as the Movie Review Editor for the Web site Movie Metropolis (formerly DVDTown) from 1997-2013. Music and movies. Life couldn't be better.
Karl W. Nehring, Contributing Reviewer

For over 20 years I was the editor of The $ensible Sound magazine and a regular contributor to its classical review pages. I would not presume to present myself as some sort of expert on music, but I have a deep love for and appreciation of many types of music, "classical" especially, and have listened to thousands of recordings over the years, many of which still line the walls of my listening room (and occasionally spill onto the furniture and floor, much to the chagrin of my long-suffering wife). I have always taken the approach as a reviewer that what I am trying to do is simply to point out to readers that I have come across a recording that I have found of interest, a recording that I think they might appreciate my having pointed out to them. I suppose that sounds a bit simple-minded, but I know I appreciate reading reviews by others that do the same for me--point out recordings that I think I might enjoy.

For readers who might be wondering about what kind of system I am using to do my listening, as of right now it comprises an Onkyo C-7030 CD player, Legacy Audio High Current preamplifier, AVA FET Valve 550hc or Legacy Audio PowerBloc2 amplifier, and a pair of Legacy Audio Focus SE speakers augmented by a Legacy Point One subwoofer.
Bryan Geyer, Technical Analyst

I initially embraced classical music in 1954 when I mistuned my car radio and heard the Heifetz recording of Mendelssohn's Violin Concerto. That inspired me to board the new "hi-fi" DIY bandwagon. In 1957 I joined one of the pioneer semiconductor makers and spent the next 32 years marketing transistors and microcircuits to military contractors. Home audio DIY projects remained a personal passion until 1989 when we created our own new photography equipment company. I later (2012) revived my interest in two channel audio when we "downsized" our life and determined that mini-monitors + paired subwoofers were a great way to mate fine music with the space constraints of condo living.

Mission Statement

It is the goal of Classical Candor to promote the enjoyment of classical music. Other forms of music come and go--minuets, waltzes, ragtime, blues, jazz, bebop, country-western, rock-'n'-roll, heavy metal, rap, and the rest--but classical music has been around for hundreds of years and will continue to be around for hundreds more. It's no accident that every major city in the world has one or more symphony orchestras.

When I was young, I heard it said that only intellectuals could appreciate classical music, that it required dedicated concentration to appreciate. Nonsense. I'm no intellectual, and I've always loved classical music. Anyone who's ever seen and enjoyed Disney's Fantasia or a Looney Tunes cartoon playing Rossini's William Tell Overture or Liszt's Hungarian Rhapsody No. 2 can attest to the power and joy of classical music, and that's just about everybody.

So, if Classical Candor can expand one's awareness of classical music and bring more joy to one's life, more power to it. It's done its job. --John J. Puccio

Contact Information

Readers with polite, courteous, helpful letters may send them to classicalcandor@gmail.com.

Readers with impolite, discourteous, bitchy, whining, complaining, nasty, mean-spirited, unhelpful letters may send them to classicalcandor@recycle.bin.

"Their Master's Voice" by Michael Sowa

"Their Master's Voice" by Michael Sowa