Also, Stone Flower suite; Dreams; Andante, Op. 50; Autumnal, Op. 8. Neeme Jarvi, Scottish National Orchestra. Chandos CHAN 10481-X.
Every line is in place, every "i" dotted. Maestro Neeme Jarvi conducts a letter-perfect performance, and the Scottish National Orchestra play with a precision that would make the Berlin Philharmonic jealous. So, why does this Lieutenant Kije suite sound so dull?
It's certainly not the fault of Russian composer Serge Prokofiev (1891-1953), who pulled off a popular coup by satirizing governmental bureaucracy at a time, 1934, when the Soviet government was not exactly friendly to anything but conservative, state-approved music. Prokofiev accepted an invitation to write the score for a movie, Alexander Feinzimmer's Lieutenant Kije, based on a satirical story by Yuri Tinyanov. The story takes place during the reign of the nineteenth-century Czar Paul, who had a rage for military pomp and ceremony. The Czar mistakenly overhears a phrase that he thinks sounds like "Lieutenant Kije," and his underlings are afraid to tell him otherwise. So they create a fictional Kije, duly enter him into the military records, and create a career of adventures for him. Thus, we get the suite the composer adapted from his film score.
The music can be wonderfully witty and mischievous, yet here it seems hampered, toned down, and it appears to be Jarvi's interpretation that is at fault. It is rather slow, solemn, and listless, missing some of the music's edgy humor and punch.
Fortunately, the accompanying works, particularly the suite from Prokofiev's ballet The Stone Flower, come off much better, the conductor's sensitivity completely at the disposal of the music. And with fine, vintage Chandos sound, the rest of the items on the program--Prokofiev's Dreams, the Andante, Op. 50, and Autumnal, Op. 8--go over smoothly and agreeably as well, if sometimes taken a bit hastily.
Recorded in 1985 and 1989 and here presented in a rerelease, the sound is wide and spacious, with an especially good sense of orchestral depth. While it perhaps lacks a little something in terms of inner detailing and deep bass response, it's surely good in all other respects.
The problem with the album, then, is the centerpiece, Lieutenant Kije, which I wouldn't call a first-choice recording of the work. For top recommendations you'd have to go to musicians like George Szell and the Cleveland Orchestra (Sony), Vernon Handley and the LPO (EMI), Andre Previn and the LSO (EMI), or maybe Fritz Reiner and Chicago Symphony (RCA). But at a reduced reissue price and with good accompanying performances, the Jarvi disc is certainly worth auditioning.
About the Author
Understand, I'm just an everyday guy reacting to something I love. And I've been doing it for a very long time, my appreciation for classical music starting with the musical excerpts on The Big John and Sparkie radio show in the early Fifties and the purchase of my first recording, The 101 Strings Play the Classics, around 1956. In the late Sixties I began teaching high school English and Film Studies as well as becoming interested in hi-fi, my audio ambitions graduating me from a pair of AR-3 speakers to the Fulton J's recommended by The Stereophile's J. Gordon Holt. In the early Seventies, I began writing for a number of audio magazines, including Audio Excellence, Audio Forum, The Boston Audio Society Speaker, The American Record Guide, and from 1976 until 2008, The $ensible Sound, for which I served as Classical Music Editor.
Today, I'm retired from teaching and use a pair of bi-amped VMPS RM40s loudspeakers for my listening. In addition to writing the Classical Candor blog, I served as the Movie Review Editor for the Web site Movie Metropolis (formerly DVDTown) from 1997-2013. Music and movies. Life couldn't be better.
It is the goal of Classical Candor to promote the enjoyment of classical music. Other forms of music come and go--minuets, waltzes, ragtime, blues, jazz, bebop, country-western, rock-'n'-roll, heavy metal, rap, and the rest--but classical music has been around for hundreds of years and will continue to be around for hundreds more. It's no accident that every major city in the world has one or more symphony orchestras.
When I was young, I heard it said that only intellectuals could appreciate classical music, that it required dedicated concentration to appreciate. Nonsense. I'm no intellectual, and I've always loved classical music. Anyone who's ever seen and enjoyed Disney's Fantasia or a Looney Tunes cartoon playing Rossini's William Tell Overture or Liszt's Hungarian Rhapsody No. 2 can attest to the power and joy of classical music, and that's just about everybody.
So, if Classical Candor can expand one's awareness of classical music and bring more joy to one's life, more power to it. It's done its job.
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