If the music sounds like Haydn or Mozart, don't be surprised. Ignaz Pleyel (1757-1831) was a contemporary of those men, and, perhaps surprisingly, in his day people thought he might be greater than Mozart and the successor to Haydn. OK, if you are an enthusiastic classical-music fan, you already know that.
Pleyel was a prominent figure in his time, a French composer and piano builder born in Austria, a pupil of Joseph Haydn, and the prolific writer of some fifty classical symphonies and a ton of other stuff before retiring from music into the world of business. Today he's all but forgotten except in occasional recordings like this one that, alas, I would guess few people will have even heard of. Nevertheless, this 2002 recording could still make Pleyel a few new friends. His music may be outdated but not any the less fun.
Anyway, of the three works represented here, I preferred the Symphony Concertante best, it being a sort of minor-league Mozart violin-and-piano concerto. It has zip and zest and all manner of wit and humor about it, with violinist Jakub Dzialak and pianist Riccardo Bovino playing their hearts out as if it were, indeed, Beethoven; and Howard Griffiths and the Zurich Chamber Orchestra give them splendid support.
What's more, CPO do their part, too, by providing a good, open acoustic and reasonably well detailed sonics; fairly strong dynamics; a modicum of hall warmth and bloom; and a realistic dimensionality to the presentation. True, the music may sound imitative, but for me it was worth hearing.
To listen to a brief excerpt from this album, click here: