My “Battery” Advice…
By Bryan Geyer
Re. “battery,” let’s
nail the definition first. A single AA or AAA voltaic storage cell is actually not
a “battery”; it’s a cell. A “battery” is a combination of two
or more cells. So the sign at your local hardware store that directs you to
the Energizer and Duracell AA and AAA “battery” display is
technically in error. (That’s excusable, but the prices they post are not. You
can do lots better at…https://www.batteryjunction.com.)
Yes, I realize that
ramblings about AA and AAA (size) DC storage cells is distinctly outside my
assigned specialty (audio nitty-gritty) here, but this is my 30th tech paper
for this site, so host John Puccio (he of the chocolate digressions) has kindly
allowed me some off-topic slack. The outcome of this liberty might well be more
pertinent for you than anything in my previous 29 posts, so I say hey,
listen up—this is stuff you need to know!
I’m an especially
heavy user of both AA and AAA voltaic storage cells. However, I have not
purchased any standard alkaline (LR6 class) AA or AAA cells since the late
1970s. Instead, I use only lithium (FR6 class) non-rechargeable AA and
AAA cells (aka L91 & L92 cells). I do so because these lithium iron disulfide
(LiFeS2) cells present a stack of compelling advantages over archaic alkaline
(manganese dioxide) cells, not the least of which is the fact that their
extended life generally makes them cost-competitive in all but a few benign
applications. The service life advantage of a lithium AA cell—when compared to
its alkaline equivalent—varies, dependent on how it will be utilized. In very
low drain service (e.g., a TV remote control) the lithium battery will outlast
an alkaline cell, but not by much. However, lithium longevity becomes
appreciable when used in higher drain service; e.g. in a flashlight or lantern,
or in photo strobes, RF transmitters, and in some portable audio equipment.
There’s a real 2X to 3X service life advantage, as compared to an alkaline
equivalent, in a great many common applications. For example, I’m seriously
into photo-macrography (close-ups) and also long lens wildlife photography
(mostly birds). These endeavors often involve using two or more electronic
strobes that can support rapid and repetitive high-power bursts, and the
related current drain is normally more than wimpy alkaline cells can sustain.
This is especially so in colder weather because alkaline cell output declines
rapidly when ambient temperatures approach +40˚F, whereas lithium AA or AAA
cells will still retain most of their native room-temp. punch.
While long service
life is nice, maybe more important is the fact that lithium L91 AA cells will
NEVER LEAK, even when discharged and left in your equipment for ≥ 5 years.
(Been there, done that.) Conversely, all alkaline cells (of any brand)
will eventually expel their noxious corrosive electrolyte (it’s KOH, potassium
hydroxide) when they’re at or near a depleted state.
Further, lithium AA
cells are ~ 40% lighter than alkaline equivalents, based on size AA comparison.
That’s a helpful benefit, especially when you consider packing sufficient
back-up spares.
The best place to buy
Energizer non-rechargeable AA-size lithium (L91 type) cells is Battery
Junction; see…https://www.batteryjunction.com/energizer-l91aa.html,
where they’re $1.60 ea. + tax and shipping. The current Ace Hardware “walk in”
price for Energizer Max alkaline AA cells (in an 8 pack) equates to
$1.25 each + tax.
FR6-class lithium
cells will retain ~ 94% of their capacity after 15+ years of storage, so it’s
feasible to maintain extensive backup stock without concern. Alkaline cells
degrade more rapidly. They’re specified to be storable for ~ 5 years if kept in
cool dry environs, and then be down by only ~ 10%. However, I think that’s a
rather idealistic projection.
The story is the same
for AAA size cells. Energizer’s lithium (FR6 class) AAA cells are known as type
L92, and their listing at Battery Junction is…https://www.batteryjunction.com/energizer-l92-bulk.html.
The lithium cell benefits and characteristics that are noted above also apply
for the smaller AAA (L92) size lithium cells.
Regarding Travel & Safety: The
perilous warnings that you’ve heard about lithium battery fire hazards
are real, but they trace entirely to the use of multi-cell rechargeable-type lithium-ion batteries, as commonly used today in cellular smart ’phones, digital cameras, and portable computers (also Teslas). A non-rechargeable (single use) L91/L92 type lithium (LiFeS2) cell does not
pose the same fire threat. However, to assure that the federal safety
mandate has clear and effective public compliance, ALL lithium power
sources are now lumped as posing such fire hazard. As a consequence, you
are not permitted to ship lithium cells without a related exterior
warning sticker, and shipping by air (or by sea) is banned within the
USA. Regardless, when you are traveling by commercial air service, you
can then carry on equipment
that utilizes lithium cells. This means that all of your
battery-powered “carry on” gear (your cell ’phones, computers, digital
cameras, strobes, flashlights, et al), whether using lithium cells or
not, are welcome aboard the passenger compartment of the aircraft.
Packing such devices in your checked luggage is permissible only if they
are “…completely powered off and protected to prevent unintentional activation or damage.” This latter restriction is subject to the whim of the TSA agent on duty, so you’d best “carry on” your battery-operated devices. Further, all back-up stocks of uninstalled “…lithium metal and lithium ion batteries are always prohibited in checked baggage and must be placed in carry-on.” And: “When
a carry-on bag is checked at the gate or at plane side, any spare
lithium batteries must be removed from the bag and kept with the
passenger in the aircraft cabin.” (On your person, not in your
shoulder bag or briefcase.) Obviously, these last requirements don’t
pertain to L91/L92 cells, but they directly apply to any backup
rechargeable-type li-ion camera body batteries that you might have in your possession. The relevant TSA publication is here…https://www.faa.gov/hazmat/packsafe/more_info/?hazmat=20 (Issued 5/31/2018).
Re. NiMH
Rechargeable Cells: In
closing, please take note that many AA and AAA cell users rely on rechargeable
nickel metal-hydride (NiMH) cells as their preferred alternate to alkaline
cells. NiMH rechargeable storage cells work quite nicely for many applications
(far, far better than the older nickel-cadmium rechargeable alternative), but
the self-discharge rate for NiMH cells still makes them suspect for general
usage. A fully charged NiMH cell reads about 1.2 Vdc when under load at the
start (versus ~ 1.55 Vdc for a fresh alkaline cell), but it will sag to ~ 0.9
Vdc after just 6 to 8 weeks of passive storage. Conversely, a stock
non-rechargeable L91 (AA) or L92 (AAA) lithium battery will read ~ 1.6 to 1.7
Vdc initially when under load regardless of whether it’s new or has been in
storage for several years.
--BG (May 20, 2021)
John J. Puccio, Founder and Contributor
Understand, I'm just an everyday guy reacting to something I love. And I've been doing it for a very long time, my appreciation for classical music starting with the musical excerpts on the Big Jon and Sparkie radio show in the early Fifties and the purchase of my first recording, The 101 Strings Play the Classics, around 1956. In the late Sixties I began teaching high school English and Film Studies as well as becoming interested in hi-fi, my audio ambitions graduating me from a pair of AR-3 speakers to the Fulton J's recommended by The Stereophile's J. Gordon Holt. In the early Seventies, I began writing for a number of audio magazines, including Audio Excellence, Audio Forum, The Boston Audio Society Speaker, The American Record Guide, and from 1976 until 2008, The $ensible Sound, for which I served as Classical Music Editor.
Today, I'm retired from teaching and use a pair of bi-amped VMPS RM40s loudspeakers for my listening. In addition to writing for the Classical Candor blog, I served as the Movie Review Editor for the Web site Movie Metropolis (formerly DVDTown) from 1997-2013. Music and movies. Life couldn't be better.
Karl Nehring, Editor and Contributor
For nearly 30 years I was the editor of The $ensible Sound magazine and a regular contributor to both its equipment and recordings review pages. I would not presume to present myself as some sort of expert on music, but I have a deep love for and appreciation of many types of music, "classical" especially, and have listened to thousands of recordings over the years, many of which still line the walls of my listening room (and occasionally spill onto the furniture and floor, much to the chagrin of my long-suffering wife). I have always taken the approach as a reviewer that what I am trying to do is simply to point out to readers that I have come across a recording that I have found of interest, a recording that I think they might appreciate my having pointed out to them. I suppose that sounds a bit simple-minded, but I know I appreciate reading reviews by others that do the same for me — point out recordings that they think I might enjoy.
For readers who might be wondering about what kind of system I am using to do my listening, I should probably point out that I do a LOT of music listening and employ a variety of means to do so in a variety of environments, as I would imagine many music lovers also do. Starting at the more grandiose end of the scale, the system in which I do my most serious listening comprises Marantz CD 6007 and Onkyo CD 7030 CD players, NAD C 658 streaming preamp/DAC, Legacy Audio PowerBloc2 amplifier, and a pair of Legacy Audio Focus SE loudspeakers. I occasionally do some listening through pair of Sennheiser 560S headphones. I miss the excellent ELS Studio sound system in our 2016 Acura RDX (now my wife's daily driver) on which I had ripped more than a hundred favorite CDs to the hard drive, so now when driving my 2024 Honda CRV Sport L Hybrid, I stream music from my phone through its adequate but hardly outstanding factory system. For more casual listening at home when I am not in my listening room, I often stream music through a Roku Streambar Pro system (soundbar plus four surround speakers and a 10" sealed subwoofer) that has surprisingly nice sound for such a diminutive physical presence and reasonable price. Finally, at the least grandiose end of the scale, I have an Ultimate Ears Wonderboom II Bluetooth speaker and a pair of Google Pro Earbuds for those occasions where I am somewhere by myself without a sound system but in desperate need of a musical fix. I just can’t imagine life without music and I am humbly grateful for the technologies that enable us to enjoy it in so many wonderful ways.
William (Bill) Heck, Webmaster and Contributor
Among my early childhood memories are those of listening to my mother playing records (some even 78 rpm ones!) of both classical music and jazz tunes. I suppose that her love of music was transmitted genetically, and my interest was sustained by years of playing in rock bands – until I realized that this was no way to make a living. The interest in classical music was rekindled in grad school when the university FM station serving as background music for studying happened to play the Brahms First Symphony. As the work came to an end, it struck me forcibly that this was the most beautiful thing I had ever heard, and from that point on, I never looked back. This revelation was to the detriment of my studies, as I subsequently spent way too much time simply listening, but music has remained a significant part of my life. These days, although I still can tell a trumpet from a bassoon and a quarter note from a treble clef, I have to admit that I remain a nonexpert. But I do love music in general and classical music in particular, and I enjoy sharing both information and opinions about it.
The audiophile bug bit about the same time that I returned to classical music. I’ve gone through plenty of equipment, brands from Audio Research to Yamaha, and the best of it has opened new audio insights. Along the way, I reviewed components, and occasionally recordings, for The $ensible Sound magazine. Most recently I’ve moved to my “ultimate system” consisting of a BlueSound Node streamer, an ancient Toshiba multi-format disk player serving as a CD transport, Legacy Wavelet II DAC/preamp/crossover, dual Legacy PowerBloc2 amps, and Legacy Signature SE speakers (biamped), all connected with decently made, no-frills cables. With the arrival of CD and higher resolution streaming, that is now the source for most of my listening.
Ryan Ross, Contributor
I started listening to and studying classical music in earnest nearly three decades ago. This interest grew naturally out of my training as a pianist. I am now a musicologist by profession, specializing in British and other symphonic music of the 19th and 20th centuries. My scholarly work has been published in major music journals, as well as in other outlets. Current research focuses include twentieth-century symphonic historiography, and the music of Jean Sibelius, Ralph Vaughan Williams, and Malcolm Arnold.
I am honored to contribute writings to Classical Candor. In an age where the classical recording industry is being subjected to such profound pressures and changes, it is more important than ever for those of us steeped in this cultural tradition to continue to foster its love and exposure. I hope that my readers can find value, no matter how modest, in what I offer here.
Bryan Geyer, Technical Analyst
I initially embraced classical music in 1954 when I mistuned my car radio and heard the Heifetz recording of Mendelssohn's Violin Concerto. That inspired me to board the new "hi-fi" DIY bandwagon. In 1957 I joined one of the pioneer semiconductor makers and spent the next 32 years marketing transistors and microcircuits to military contractors. Home audio DIY projects remained a personal passion until 1989 when we created our own new photography equipment company. I later (2012) revived my interest in two channel audio when we "downsized" our life and determined that mini-monitors + paired subwoofers were a great way to mate fine music with the space constraints of condo living.
Visitors that view my technical papers on this site may wonder why they appear here, rather than on a site that features audio equipment reviews. My reason is that I tried the latter, and prefer to publish for people who actually want to listen to music; not to equipment. My focus is in describing what's technically beneficial to assure that the sound of the system will accurately replicate the source input signal (i. e. exhibit high accuracy) without inordinate cost and complexity. Conversely, most of the audiophiles of today strive to achieve sound that's euphonic, i.e. be personally satisfying. In essence, audiophiles seek sound that's consistent with their desire; the music is simply a test signal.
Mission Statement
It is the goal of Classical Candor to promote the enjoyment of classical music. Other forms of music come and go--minuets, waltzes, ragtime, blues, jazz, bebop, country-western, rock-'n'-roll, heavy metal, rap, and the rest--but classical music has been around for hundreds of years and will continue to be around for hundreds more. It's no accident that every major city in the world has one or more symphony orchestras.
When I was young, I heard it said that only intellectuals could appreciate classical music, that it required dedicated concentration to appreciate. Nonsense. I'm no intellectual, and I've always loved classical music. Anyone who's ever seen and enjoyed Disney's Fantasia or a Looney Tunes cartoon playing Rossini's William Tell Overture or Liszt's Hungarian Rhapsody No. 2 can attest to the power and joy of classical music, and that's just about everybody.
So, if Classical Candor can expand one's awareness of classical music and bring more joy to one's life, more power to it. It's done its job. --John J. Puccio
Contact Information
Readers with polite, courteous, helpful letters may send them to classicalcandor@gmail.com
Readers with impolite, discourteous, bitchy, whining, complaining, nasty, mean-spirited, unhelpful letters may send them to classicalcandor@recycle.bin.
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