May 1, 2024

Amazona Persona Non Grata


by Karl Nehring

As you can see from the brief biographical information printed below, for many years I was associated with an audio magazine called The $ensible Sound. Starting as a contributor in the 1970s, I increased my involvement to the point of becoming the Editor in the 1980s, a position I held until finally stepping down in the early 2000s, although I stayed on as Music Editor for the final few issues until the publisher decided to cease publication in 2003. Besides reviewing audio equipment and doing the actual editing of the magazine, I did a column titled “More Jazz Than Not” in which I published reviews of recordings – first of LPs, then of CDs as they began to replace vinyl in my collection. As you might guess from the title, the majority of my reviews were of jazz recordings, but I also reviewed quite a few classical releases. 

By the time the magazine folded, I had hundreds of reviews of both classical and non-classical albums stored on the hard drive of my Macintosh. Reflecting back on all the time and effort I had invested in writing these reviews, and realizing that these albums were still widely available as LPs and CDs, the thought occurred to me that perhaps I could turn my reviews into books that could serve as guides to the recorded music marketplace. I had no high expectations of these books becoming best sellers, but I thought it would at least be fun to pull my reviews into book form and see whether I could possibly find a publisher.

 

Going back through the reviews, I quickly decided that I had enough classical music reviews to justify separating my hundreds of reviews into two manuscripts: classical and everything else. I then separated my reviews into two large folders. Having done that, I carefully went through each review, massaging it to make it consistent in terms of style and format so that the book would come across as a unified whole rather than as just a dump of old reviews. Once I had done this for all the reviews in both volumes, I wrote introductions for each and created the actual final manuscripts. 

 

As I began to think about where I might possibly be able to send these manuscripts to see about getting them accepted for publication, the thought suddenly occurred to me that, as a courtesy, I really ought to let the publisher of The $ensible Sound know that I was intending to publish my reviews. Although all the writing was in fact mine, the reviews had been published in his publication, so it just seemed to me that the right thing to do was to let him know I was doing this. I thought he would say something along the lines of, “hey, that’s a great idea, good luck, let me know how it turns out.” Instead, he said that he would publish them himself, I should send him the files so he could get started, etc.

 

Well, to make a long story short, neither of my manuscripts ever got published. 

 

A few years later, my doctor retired. His replacement turned out to be incompetent. After putting up with his incompetence for longer than I should have, I found a new doctor who knew what she was doing, gave me a thorough going-over, found some issues, and I was shortly thereafter found to have prostate cancer. Following my surgery, I had a couple of weeks off from work, during which time I decided I could finally do something useful with all those reviews I still had sitting on my hard drive, which were now in the guise of the two book manuscripts: I could post those reviews on Amazon. I edited them to make them more Amazon-appropriate, and Amazon seemed happy to have them. In fact, I was credited as being a Top 200 Reviewer or something of the sort, and for a long time was getting all manner of comments on my reviews. As I would purchase new or used CDs, I would often write reviews and post them. 

 

In 2018, John Puccio, who had been Music Editor of The $ensible Sound throughout its existence, and with whom I had kept in some touch in the years since, asked whether I would be willing to do some reviewing for Classical Candor, a classical music review blog he had started. I accepted his kind invitation and began submitting some reviews. Since I was also posting reviews to Amazon, I would take the reviews I did for Classical Candor, scrub them down a bit (Amazon does not allow outside links/references and such) and then post them to Amazon.

 

Then one fateful day about two years ago I went to post a review on Amazon but was unable to do so. Instead, I received a message that informed me that Amazon had detected suspicious activity from my address. I could no longer post, and all my reviews had been removed. 

 

Wait, what?! ALL MY HUNDREDS OF REVIEWS HAD BEEN REMOVED!

 

Unbelievable. I had by this point posted something like 800 reviews. Not just music reviews, although that was the vast majority. But every single one of them had been removed. Without warning. (And oh, by the way, John Puccio has been similarly banned.)

 

The message said I could contact Customer Service to contest/discuss this action. Again, to make a long story short, I have been trying for two years now to get back in their good graces. I have talked to several people. I explain that I have long reviewed albums and that I generally post reviews only of music that I enjoy and recommend. I remind them that for years they seemed to be quite happy with what I was doing. I find that the people I talk to always seem to be sympathetic. I also point out that for whatever reason I now cannot review anything – books, clothes, flashlights, anything that I purchase. I ask whether I can be reinstated if in the future I will only post ratings/reviews of items I actually purchase on Amazon. They say that sounds reasonable, they will recommend my case be reviewed, and promise that I will hear something within two weeks. I soon get an email denying my request.


To add insult to injury, a month or so after I was banned from posting, I purchased a book on Amazon.  Before long, I got an email from Amazon inviting to post a rating of the book. Not a review, just a rating -- one to five stars. Sure, I was willing to do that; moreover, I was gratified by what seemed to be a clear indication of at least a partial thaw in our relationship. 


But when I went to the site to click on a star, I was immediately shut out. A window popped up on my screen reminding me that because Amazon had observed suspicious activity from my web address, I was forbidden from posting. My goodness, even though Amazon had invited me to rate a book I had purchased from their site, they were forbidding me to do so. 

 

A few weeks ago I tried calling Amazon Customer Service yet again to plead my case. As usual, I spoke to someone who was sympathetic to my case who promised to pass along my recorded phone call to their review committee. My only glimmer of hope is that the most recent rejection email resulting from mu call at least offered me the opportunity to reply to their email and offer additional evidence in my behalf. Although I don’t have much hope that it will change their minds, I have done so. I pointed out to them that I am a Prime member, that the way things stand now I am unable to rate or review even items that I purchase on Amazon. I asked whether I could possibly be reinstated to the point where I could at least review items I purchase through Amazon.

 

And now I wait once again. We shall see


Update:


In reply to my email, I received the usual standard email informing me that they had noticed suspicious activity on my account and I was therefore not allowed to rate, review, comment, etc.


That's it. I give up. 


… 

1 comment:

  1. How incredibly frustrating. You have more patience than I! Our labels appreciate Classical Candor's reviews. (Sarah Folger)

    ReplyDelete

Thank you for your comment. It will be published after review.

Meet the Staff

Meet the Staff
John J. Puccio, Founder and Contributor

Understand, I'm just an everyday guy reacting to something I love. And I've been doing it for a very long time, my appreciation for classical music starting with the musical excerpts on the Big Jon and Sparkie radio show in the early Fifties and the purchase of my first recording, The 101 Strings Play the Classics, around 1956. In the late Sixties I began teaching high school English and Film Studies as well as becoming interested in hi-fi, my audio ambitions graduating me from a pair of AR-3 speakers to the Fulton J's recommended by The Stereophile's J. Gordon Holt. In the early Seventies, I began writing for a number of audio magazines, including Audio Excellence, Audio Forum, The Boston Audio Society Speaker, The American Record Guide, and from 1976 until 2008, The $ensible Sound, for which I served as Classical Music Editor.

Today, I'm retired from teaching and use a pair of bi-amped VMPS RM40s loudspeakers for my listening. In addition to writing for the Classical Candor blog, I served as the Movie Review Editor for the Web site Movie Metropolis (formerly DVDTown) from 1997-2013. Music and movies. Life couldn't be better.

Karl Nehring, Editor and Contributor

For nearly 30 years I was the editor of The $ensible Sound magazine and a regular contributor to both its equipment and recordings review pages. I would not presume to present myself as some sort of expert on music, but I have a deep love for and appreciation of many types of music, "classical" especially, and have listened to thousands of recordings over the years, many of which still line the walls of my listening room (and occasionally spill onto the furniture and floor, much to the chagrin of my long-suffering wife). I have always taken the approach as a reviewer that what I am trying to do is simply to point out to readers that I have come across a recording that I have found of interest, a recording that I think they might appreciate my having pointed out to them. I suppose that sounds a bit simple-minded, but I know I appreciate reading reviews by others that do the same for me — point out recordings that they think I might enjoy.

For readers who might be wondering about what kind of system I am using to do my listening, I should probably point out that I do a LOT of music listening and employ a variety of means to do so in a variety of environments, as I would imagine many music lovers also do. Starting at the more grandiose end of the scale, the system in which I do my most serious listening comprises Marantz CD 6007 and Onkyo CD 7030 CD players, NAD C 658 streaming preamp/DAC, Legacy Audio PowerBloc2 amplifier, and a pair of Legacy Audio Focus SE loudspeakers. I occasionally do some listening through pair of Sennheiser 560S headphones. I miss the excellent ELS Studio sound system in our 2016 Acura RDX (now my wife's daily driver) on which I had ripped more than a hundred favorite CDs to the hard drive, so now when driving my 2024 Honda CRV Sport L Hybrid, I stream music from my phone through its adequate but hardly outstanding factory system. For more casual listening at home when I am not in my listening room, I often stream music through a Roku Streambar Pro system (soundbar plus four surround speakers and a 10" sealed subwoofer) that has surprisingly nice sound for such a diminutive physical presence and reasonable price. Finally, at the least grandiose end of the scale, I have an Ultimate Ears Wonderboom II Bluetooth speaker and a pair of Google Pro Earbuds for those occasions where I am somewhere by myself without a sound system but in desperate need of a musical fix. I just can’t imagine life without music and I am humbly grateful for the technologies that enable us to enjoy it in so many wonderful ways.

William (Bill) Heck, Webmaster and Contributor

Among my early childhood memories are those of listening to my mother playing records (some even 78 rpm ones!) of both classical music and jazz tunes. I suppose that her love of music was transmitted genetically, and my interest was sustained by years of playing in rock bands – until I realized that this was no way to make a living. The interest in classical music was rekindled in grad school when the university FM station serving as background music for studying happened to play the Brahms First Symphony. As the work came to an end, it struck me forcibly that this was the most beautiful thing I had ever heard, and from that point on, I never looked back. This revelation was to the detriment of my studies, as I subsequently spent way too much time simply listening, but music has remained a significant part of my life. These days, although I still can tell a trumpet from a bassoon and a quarter note from a treble clef, I have to admit that I remain a nonexpert. But I do love music in general and classical music in particular, and I enjoy sharing both information and opinions about it.

The audiophile bug bit about the same time that I returned to classical music. I’ve gone through plenty of equipment, brands from Audio Research to Yamaha, and the best of it has opened new audio insights. Along the way, I reviewed components, and occasionally recordings, for The $ensible Sound magazine. Most recently I’ve moved to my “ultimate system” consisting of a BlueSound Node streamer, an ancient Toshiba multi-format disk player serving as a CD transport, Legacy Wavelet II DAC/preamp/crossover, dual Legacy PowerBloc2 amps, and Legacy Signature SE speakers (biamped), all connected with decently made, no-frills cables. With the arrival of CD and higher resolution streaming, that is now the source for most of my listening.

Ryan Ross, Contributor

I started listening to and studying classical music in earnest nearly three decades ago. This interest grew naturally out of my training as a pianist. I am now a musicologist by profession, specializing in British and other symphonic music of the 19th and 20th centuries. My scholarly work has been published in major music journals, as well as in other outlets. Current research focuses include twentieth-century symphonic historiography, and the music of Jean Sibelius, Ralph Vaughan Williams, and Malcolm Arnold.

I am honored to contribute writings to Classical Candor. In an age where the classical recording industry is being subjected to such profound pressures and changes, it is more important than ever for those of us steeped in this cultural tradition to continue to foster its love and exposure. I hope that my readers can find value, no matter how modest, in what I offer here.


Bryan Geyer, Technical Analyst

I initially embraced classical music in 1954 when I mistuned my car radio and heard the Heifetz recording of Mendelssohn's Violin Concerto. That inspired me to board the new "hi-fi" DIY bandwagon. In 1957 I joined one of the pioneer semiconductor makers and spent the next 32 years marketing transistors and microcircuits to military contractors. Home audio DIY projects remained a personal passion until 1989 when we created our own new photography equipment company. I later (2012) revived my interest in two channel audio when we "downsized" our life and determined that mini-monitors + paired subwoofers were a great way to mate fine music with the space constraints of condo living.

Visitors that view my technical papers on this site may wonder why they appear here, rather than on a site that features audio equipment reviews. My reason is that I tried the latter, and prefer to publish for people who actually want to listen to music; not to equipment. My focus is in describing what's technically beneficial to assure that the sound of the system will accurately replicate the source input signal (i. e. exhibit high accuracy) without inordinate cost and complexity. Conversely, most of the audiophiles of today strive to achieve sound that's euphonic, i.e. be personally satisfying. In essence, audiophiles seek sound that's consistent with their desire; the music is simply a test signal.

Mission Statement

It is the goal of Classical Candor to promote the enjoyment of classical music. Other forms of music come and go--minuets, waltzes, ragtime, blues, jazz, bebop, country-western, rock-'n'-roll, heavy metal, rap, and the rest--but classical music has been around for hundreds of years and will continue to be around for hundreds more. It's no accident that every major city in the world has one or more symphony orchestras.

When I was young, I heard it said that only intellectuals could appreciate classical music, that it required dedicated concentration to appreciate. Nonsense. I'm no intellectual, and I've always loved classical music. Anyone who's ever seen and enjoyed Disney's Fantasia or a Looney Tunes cartoon playing Rossini's William Tell Overture or Liszt's Hungarian Rhapsody No. 2 can attest to the power and joy of classical music, and that's just about everybody.

So, if Classical Candor can expand one's awareness of classical music and bring more joy to one's life, more power to it. It's done its job. --John J. Puccio

Contact Information

Readers with polite, courteous, helpful letters may send them to classicalcandor@gmail.com

Readers with impolite, discourteous, bitchy, whining, complaining, nasty, mean-spirited, unhelpful letters may send them to classicalcandor@recycle.bin.

"Their Master's Voice" by Michael Sowa

"Their Master's Voice" by Michael Sowa