Classical Music News of the Week, March 10, 2018
Beginning with the 2018 Festival &
Academy, the American Bach Soloists 30th Season will commemorate the core of ABS's rich history through performances of works that represent the finest of the Baroque era. Grand special events including "Sparkle" — the 2018 Gala Auction, Concert, and Dinner — make the upcoming 30th Season a joyful celebration of the organization's past, present, and future.
The Glorious Court of Dresden
August 3-12, 2018
San Francisco's Summer Bach Festival
For the 2018 ABS Festival & Academy, artistic director Jeffrey Thomas has chosen the music of Germany with a particular emphasis on The Glorious Court of Dresden, known for the extraordinary quality of music that was composed for the Electors and Kings of Saxony who upheld the highest artistic and cultural standards for their subjects. Its splendid Baroque and Rococo architecture brought the city its nickname as the "Jewel Box," and a distinguished roster of performers and composers made it one of Europe's most important musical capitals. A full array of free events—including public master classes, lectures, concerts, and colloquia—complement the performances by American Bach Soloists in two exceptionally fine venues.
The Glorious Court of Dresden
Friday August 3, 2018. 8:00 p.m. St. Mark's Lutheran Church, San Francisco, CA
For complete information on all ABS events, visit http://americanbach.org/
--American Bach Soloists
92Y April 2018 Concerts
Tuesday, April 10, 2018, 7:30 pm
92Y – Kaufmann Concert Hall, NYC
Benjamin Grosvenor, piano
Musicians from the New York Philharmonic
Friday, April 13, 2018, 9:00 pm
92Y – Buttenwieser Hall, NYC
Schubert: Epic and Intimate (Part 1)
Shai Wosner, piano
Sunday, April 29, 2018, 3:00 pm
92Y – Kaufmann Concert Hall, NYC
Steven Isserlis, cello
Richard Egarr, harpsichord (92Y debut)
Tickets and information are available at www.92Y.org/Concerts or 212-415-5500.
--Xi Wang, Kirshbaum Associates
Other Minds Announces Festival 23 Lineup
Other Minds today announced the lineup for its Festival 23 "Sound Poetry: The Wages of Syntax" April 9 through 14 in San Francisco, CA. Curated by Artistic Director Charles Amirkhanian, the festival brings sound poet pioneers from across the United States and Europe for an exploration of text-sound compositions that utilize speech and verbalization as a medium.
Highlighted works include World Premieres by Italian master sound poet Enzo Minarelli, leading American experimental writer Clark Coolidge in collaboration with Rome-based composer Alvin Curran, prominent American essayist Lawrence Weschler, Scandinavian jazz artists Sten Sandell and Tone Åse, and Bay Area composer Amy X Neuburg; the U.S. premiere of the three-movement reconstructed concert version of Gesprochene Musik by Austrian émigré composer Ernst Toch; and rare performances of Virgil Thomson-Gertrude Stein's Capital Capitals, Bernard Heidsieck's La Poinçonneuse, Åke Hodell's politically scathing Mr. Smith in Rhodesia, and Kurt Schwitters' controversial Ursonate.
Single tickets are priced at $30 with discounted $15 tickets available to students. Tickets can be purchased online through https://www.otherminds.org or by calling the ODC Theatre Box Office at 415.863.9834.
For complete information, visit https://www.otherminds.org
--Brenden Guy Public Relations
Countertenor John Holiday to Tour with the LA Phil
Countertenor John Holiday makes his debut with the LA Phil and conductor Gustavo Dudamel in Bernstein's Chichester Psalms, in celebration of the composer's centennial. The LA Phil will perform four concerts at the Walt Disney Concert Hall in Los Angeles, April 19-22, and will continue on to performances in New York City at Lincoln Center (April 29), the Barbican Centre in London (May 4), and the Paris Philharmonie (May 6).
A winner of the prestigious Marian Anderson Award in 2017, John has quickly established himself as a singer to watch, having just premiered the role of John Blue in Daniel Roumain's We Shall Not Be Moved with Opera Philadelphia last fall. A regular performer of the Chichester Psalms and classical repertoire ranging from contemporary to baroque, John also excels in jazz and gospel music, and recently performed a mixed program for his Kennedy Center debut.
For more information, visit http://johnholidaylive.com/
--Andrew Ousley, Unison Media
Tod Machover Composes and Curates a Symphony of "Philadelphia Voices"
Philadelphia Voices, the sixth and largest-scale installment of Tod Machover's acclaimed City Symphony projects, premieres in April 2018 with the Philadelphia Orchestra, led by its music director Yannick Nézet-Séguin, with a troupe of voices representing multiple Philadelphia-area choruses.
Machover, a 2012 Pulitzer Prize finalist and winner of Musical America's 2016 Composer of the Year award, has long been regarded as one of the most notable trailblazers of 20th and 21st century composition, and one the world's leading authorities on the vast and evolving relationships between music, technology, and human expression. Through specially-designed mobile technologies developed by Machover and his Opera of the Future group at the Massachusetts Institute of Technology Media Lab, Machover has given residents of Philadelphia the opportunity to contribute their own samplings of cityscapes, vocalizations, and texts, reviewed and compiled by Machover and his team, uniting the richly diverse communities of Philadelphia through sound. The result is a celebration of the birthplace of American democracy written for, and with, the Philadelphians who know it best.
For more information, visit https://www.media.mit.edu/projects/philadelphia-voices/overview/
--Hannah Goldshlack-Wolf, Kirshbaum Associates
J.S. Bach and Meg Bragle: "An Inspired Choice"
B Minor Mass:
"The Agnus Dei melted my heart." --The Independent
"Ms. Bragle's supple account of the Agnus Dei stood out as a clear highlight." --The New York Times
Next Bach appearances:
St. Matthew Passion
St. John Passion
Music of the Baroque
March 25, 26
"Schleicht, spielende Wellen", BWV 206
Tempesta di Mare
May 19, 20
St. Matthew Passion
Carmel Bach Festival
July 14 - 28
For more about Meg Bragle, visit http://schwalbeandpartners.com/project/meg-bragle-mezzo-soprano/
--Schwalbe and Partners
Daniel Barenboim and Deutsche Grammophon Announce New Contract
Daniel Barenboim, one of the world's greatest classical artists and a staunch champion of music's civilizing power, has signed a new and exclusive contract with Deutsche Grammophon. The partnership was announced on March 8, 2018, just days after the first anniversary of the Pierre Boulez Saal, Maestro Barenboim's pioneering project devoted to the promotion of cultural exchange and dialogue.
The Berlin connection will be significant throughout his new and future recordings for the yellow label – Barenboim will work with the Staatskapelle Berlin, the Staatsoper unter den Linden, the Boulez Ensemble and members of the Barenboim-Said Akademie. Many of his recordings will be made in the flexible space of the Boulez Saal, home to the Barenboim-Said Akademie, a centre for the cultivation of communication, listening and understanding.
--Julia Casey, DG
Max Richter's SLEEP at SXSW March 12
Composer Max Richter will give the North American debut concert of SLEEP, made possible by premiere sponsor Beautyrest and secondary sponsor Philips on March 12 at SXSW in Austin, TX. Beautyrest mattresses will replace traditional concert seating so attendees can immerse themselves into the eight-hour overnight SLEEP experience. Doors open at 11pm on March 12 at Bass Hall and the concert ends at 8:30AM on March 13. Admission is open to SXSW Platinum and Music badges only.
--Julia Casey, DG
Strathmore 18-19 Season Preview
Strathmore audiences get their first glimpse of what's to come in the 2018-2019 Season with the announcement of 11 performances in the Music Center and historic Mansion at Strathmore, on sale to the general public today, Friday, March 9, 2018.
Strathmore continues its exploration of diverse perspectives and the potential of global music to spark conversations, mutual respect, and greater understanding, beginning with Balkan composer Goran Bregovic's new work for solo violin, Three Letters from Sarajevo. Other international performances include "Queen of Ranchera Music" Aida Cuevas in tribute to her mentor, mariachi legend Juan Gabriel, the National Symphony Orchestra of Cuba with Esperanza Spalding, and powerhouse flamenco dancer Farruquito. Dynamic duos coming to the Music Center stage include playwright and activist Eve Ensler in conversation with bestselling author Anne Lamott, and masterful musicians Chick Corea & Béla Fleck. Pioneering jazz guitarist Pat Metheny and circus arts troupe The New Chinese Acrobats add to the growing diversity of programming in the Music Center.
In the historic Mansion at Strathmore, Brazilian vocalist-composer-guitarist Vinicius Cantuária pays homage to bossa nova icon Antonio Carlos Jobim, dynamic harpist Lavinia Meijer performs the music of Phillip Glass, and violinist Tessa Lark explores of the musical form of the Fantasy from the Baroque period through the present.
These performances join just-announced summer concerts with jazz icon Herbie Hancock and sublime vocalist Kristin Chenoweth.
For complete information, call (301) 581-5100 or visit www.strathmore.org.
--Mike Fila, Bucklewweet Media
William (Bill) Heck, Contributing Reviewer
Among my early childhood memories are those of listening to my mother playing records (some even 78 rpm ones!) of both classical music and jazz tunes. I suppose that her love of music was transmitted genetically, and my interest was sustained by years of playing in rock bands – until I realized that this was no way to make a living. The interest in classical music was rekindled in grad school when the university FM station serving as background music for studying happened to play the Brahms First Symphony. As the work came to an end, it struck me forcibly that this was the most beautiful thing I had ever heard, and from that point on, I never looked back. This revelation was to the detriment of my studies, as I subsequently spent way too much time simply listening, but music has remained a significant part of my life. These days, although I still can tell a trumpet from a bassoon and a quarter note from a treble clef, I have to admit that I remain a nonexpert. But I do love music in general and classical music in particular, and I enjoy sharing both information and opinions about it.
The audiophile bug bit about the same time that I returned to that classical music. I’ve gone through plenty of equipment, brands from Audio Research to Yamaha, and the best of it has opened new audio insights. Along the way, I reviewed components, and occasionally recordings, for The $ensible Sound magazine. Recently I’ve rebuilt--I prefer to say reinvigorated--my audio system, with a Sangean FM HD tuner and (for the moment) an ancient Toshiba multi-format disk player serving as a transport, both feeding a NAD C 658 streaming preamp/DAC, which in turn connects to a Legacy Powerbloc2 amplifier driving my trusty Waveform Mach Solo speakers, supplemented by a Hsu Research ULS 15 Mk II subwoofer.