Scott Yoo and Friends at Festival Mozaic's February WinterMezzo Chamber Music Weekend
Noam Elkies: E Sonata for flute and keyboard in E minor, op. 40
Albert Roussel: Serenade, op. 30
Jean Émile Paul Cras: Suite en Duo
Gabriel Fauré: Piano Quartet No. 2 in G minor, op. 45
Musicians: Alice K. Dade, flute, John Novacek, piano, Jessica Chang, viola, Meredith Clark, harp, Scott Yoo, violin, and Jonah Kim, cello.
Notable Encounter INSIGHT
Friday, February 23, 2018 5:30 p.m. $25
Mission San Luis Obispo Parish Hall
One hour program of Performance + Speaking
Exploring works by Cras and Roussel and featuring Alice Dade, Scott Yoo, Jessica Chang, Jonah Kim, and Meredith Clark.
Notable Encounter DINNER
Saturday, February 24, 2018 5:30 p.m. $135
Park Ballroom, Paso Robles
Dinner, Performance + Speaking
Exploring works by Cras and Roussel and featuring Alice Dade, Scott Yoo, Jessica Chang, Jonah Kim, and Meredith Clark.
Musique Française CONCERT
Sunday, February 25, 2018 at 3:00 p.m. $35-$65
Cuesta College Cultural and Performing Arts Center
The weekend culminates with a performance of all four works by Scott Yoo and the visiting musicians.
For complete information, visit http://www.festivalmozaic.com/
--Bettina Swigger, Festival Mosaic
West Edge Opera Announces Snapshot 2018
West Edge Opera's SNAPSHOT presents excerpts from new, previously unproduced operas by West Coast composers and librettists February 24 and 25, 2018. Inaugurated in 2017, the program is the first of its kind in the Bay Area and is a collaboration with Earplay, New Chamber Music Ensemble.
Performances will take place Saturday February 24, 2018 at 8:00PM at the Independent Order of Odd Fellows Hall, 2288 Fulton St, Berkeley, CA 94704 and Sunday February 25, 2018 at 3:00PM at the Taube Atrium Theater, 401 Van Ness Ave, San Francisco, CA 94102. Both venues are ideally suited to the intimate yet expansive demands of Snapshot and are conveniently close to BART. General admission tickets go on sale January 5 and will be available online at westedgeopera.org or by phone at 510-841-1903. Tickets are $40 each.
--Adam Flowers, West Edge Opera
2018 Young Musicians to Watch
The National YoungArts Foundation is proud to introduce the 2018 classical musicians to watch. On Thursday, January 11, 19 up-and-coming musicians performed, and two aspiring composers presented new works to audiences at New World Center in Miami as part of National YoungArts Week. These extraordinarily talented artists have been named 2018 YoungArts Finalists—one of the nation's most prestigious awards for aspiring artists 15 to 18 years old.
2018 standout performances included
Composer Benjamin Champion from Idyllwild, CA
Flutist Audrey Emata from West Chester, PA
Harpist Annette Lee Pasadena, CA
Pianist Anne Liu from San Diego, CA
Double Bassist William McGregor from West Chester, PA
Pianist Benjamin Rossen from Great Neck, NY
Violinist Adrian Steele from Seattle, WA
Pianist Ray Ushikubo from Riverside, CA
Composer Lauren Vandervelden from Mill Valley, CA
A complete list of the 2018 winners is available here at youngarts.org/winners.
--Megan V. Sprenger, Polskin Arts & Communications
San Francisco Girls Chorus Makes Carnegie Hall Debut
The San Francisco Girls Chorus (SFGC), led by Music Director and Principal Conductor Valérie Sainte-Agathe, will make its Carnegie Hall debut alongside the Philip Glass Ensemble on Friday, February 16, 8:00 p.m. with a rare performance of the composer's groundbreaking 1970 work Music With Changing Parts. The program will be repeated in San Francisco on Tuesday, February 20, 7:30 p.m. in Davies Symphony Hall under the auspices of San Francisco Performances.
Music with Changing Parts was originally composed for the Philip Glass Ensemble. This new performance, which will include SFGC and a brass section from the San Francisco Conservatory of Music, was arranged by Philip Glass Ensemble Music Director Michael Riesman, SFGC Artistic Director Lisa Bielawa and composer Philip Glass.
Single tickets range in price from $14.50 to $95 and can be purchased through Carnegie Hall at http://www.carnegiehall.com and 212.247.7800.
For more information, please visit carnegiehall.org.
--Brednen Guy, Marketing
Mirror Visions Ensemble Performs Of Beasts and Brutes
Mirror Visions Ensemble (MVE) -- an acclaimed vocal chamber ensemble dedicated to exploring the relationship between music and text -- presents its newest program, Of Beasts and Brutes, in the Loreto Theater at The Sheen Center on Monday, March 12, 2018 at 8:00 p.m.
Of Beasts and Brutes playfully and seriously shines light on the human and animal traits that might emerge in an uprising against totalitarianism, as seen in Orwell's Animal Farm. The songs reference animalized brutes since the early Romans, up to and including modern times. Curated by Yale Department of Music professor Richard Lalli, this concert of great music and texts includes three newly commissioned world premieres from Scott Wheeler, Francine Trester, and Christopher Berg, along with Tchaikovsky, Poulenc and Rachmaninoff, among others.
Monday, March 12, 2018 at 8:00 p.m.
Loreto Theater at The Sheen Center | 18 Bleecker Street | New York, NY
Tickets: General Admission $20.00, Students $15.00 (Plus $2 Facility Fee)
--Katy Salomon, Morahan Arts and Media
Berkshire Opera Festival Announces Its Third Season
Berkshire Opera Festival (BOF) is proud to present Giuseppe Verdi's masterpiece Rigoletto for its third season, with performances August 25, 28, and 31 at the historic Colonial Theatre in Pittsfield. The production is conducted by Artistic Director Brian Garman and directed by General Director Jonathon Loy. As with the first and second seasons, there will also be accompanying recitals and outreach events around the local Berkshire community.
A timeless story of love, betrayal, and vengeance, Rigoletto tells the story of the young Gilda suffering at the hands of self-entitled and abusive men — a theme never more relevant than in our present day. The production follows BOF's acclaimed first two seasons, which featured Puccini's Madama Butterfly and Strauss's Ariadne auf Naxos.
Rigoletto will be sung in Italian with projected English translations. Tickets are priced from $20 to $99. All tickets will go on sale January 15, 2018. For more information, please visit www.berkshireoperafestival.org.
--Andrew Ousley, Unison Media
Tucson Desert Song Festival Opened January 16
The Tucson Desert Song Festival's (TDSF) sixth season opened January 16 and will run through February, 4th. The festival celebrates the life and music of Leonard Bernstein, the iconic conductor, composer, pianist and educator. Over the coming weeks TDSF, in partnership with Tucson's leading arts organizations, will present events honoring Bernstein at 100. The festival will provide a rich and unusual context in which to experience Bernstein's work. Highlights include a fully-staged production of Bernstein's comic operetta Candide (in partnership with Arizona Opera); Trouble in Tahiti (in partnership with the Tucson Symphony Orchestra) featuring mezzo-soprano Sasha Cooke and bass-baritone Kelly Markgraf; Mass, in a chamber version (in partnership with True Concord Voices & Orchestra) featuring Jubilant Sykes; the "Kaddish" symphony, narrated by Jamie Bernstein, and an evening with Broadway star Chita Rivera.
Jamie Bernstein, narrator, writer and broadcaster, will be TDSF's Artist-in-Residence, sharing insights and memories of her father and his work. Dr. Matthew Mugmon, the New York Philharmonic's Leonard Bernstein Scholar, will also be in residence. Ms. Bernstein and Dr.. Mugmon will provide context to help understand the complex life and career of Leonard Bernstein and will participate in symposia, "Leonard Bernstein's Impact on American Music," among them.
Tucson Desert Song Festival Presents "Bernstein at 100: A Celebration of the Life and Music of Leonard Bernstein"
January 16 - February 4, 2018
For complete information, visit www.TucsonSongFest.org
--Raphael Zinman, Tucson Desert Song Festival
Cellist Alisa Weilerstein signs to PENTATONE
PENTATONE is delighted to announce that one of the most celebrated cellists of her generation, American cellist Alisa Weilerstein, has signed an exclusive, multi-album deal with the label.
Due for release in August this year, the first album pairs masterworks of the First and Second Viennese Schools – two Haydn concertos with Schoenberg's Verklärte Nacht – and marks the first collaboration of her new multi-season role as Artistic Partner of Norway's celebrated Trondheim Soloists.
"Pentatone's values are in line with mine. Our conversations about repertoire have demonstrated the depth of their knowledge and, perhaps even more importantly, their eagerness in encouraging me to expand my musical horizons. Our first recording together is a testament to that ethos – that artistic integrity and curiosity should always be the first priority. I feel completely at home." --Alisa Weilerstein
--Silvia Pietrosanti, PENTATONE Marketing & PR Manager
Chicago Gargoyle Ensemble to Offer Valentine's Concert Feb.10
The Chicago Gargoyle Brass and Organ Ensemble, with guest artists The Oriana Singers and City Voices, will present the world premiere of British-born composer Peter Meechan's "Love Songs (Shakespeare)" at a holiday-themed concert titled "Shakespeare Valentines" at 7:30 p.m. on Saturday, February 10, 2018, at First United Church of Oak Park, 848 Lake St., Oak Park, Illinois.
Commissioned by the Chicago Gargoyle Brass and Organ Ensemble, "Love Songs (Shakespeare)" is a half-hour neo-Romantic work in four movements for brass quintet, organ, narrator, and choir, inspired by four of William Shakespeare's poems on love.
"The audience will develop a crush on this music,'" says Rodney Holmes, founder and music director of the Chicago Gargoyle Brass and Organ Ensemble.
For more information, visit http://gargoylebrass.com/
Nat Silverman, Nathan J. Silverman Co. PR
Musica Viva NY Presents "Voices In Motion" on Sunday, February 25
Musica Viva NY presents its third installment of "Voices In Motion," Sunday, February 25 at 5:00 p.m at All Souls Church on the Upper East Side (Lexington Avenue at 80th Street, NYC).
The concert features the Musica Viva NY Choir, led by Artistic Director Alejandro Hernandez-Valdez, with a guest appearance by founder Walter Klauss, together with organist Trent Johnson in an exploration of the relationship of sound and space through inspiring psalms, folk songs, and organ works from the Italian Renaissance to the 21st century with pieces by a diverse group of composers including G. Allegri, Holst, Eric Whitacre, Osvaldo Golijov, and more.
Tickets, priced at $40, are available by visiting musicaviva.org/tickets or can be purchased at the door.
--Katlyn Morahan, Morahan Arts and Media
Pianist Stephen Hough and the Berlin Philharmonic Wind Quintet Make Debut at The Wallis
Hailed as "the best ensemble of its kind in the world," (Manchester Evening News), the Berlin Philharmonic Wind Quintet make its debut at the Wallis Annenberg Center for the Performing Art (The Wallis) with one of the most distinctive artists of his generation, pianist and MacArthur "Genius" Stephen Hough, in a one-night-only performance in the Bram Goldsmith Theater on Saturday, February 10 at 7:30pm. The evening concert includes works by W.A. Mozart, Samuel Barber, Jacques Ibert, Francis Poulenc, and an original work by multitalented Hough.
Single tickets are now available for $45 – $95. For more information or to purchase tickets, visit TheWallis.org/Berlin, call 310.746.4000, or stop by in person at the Wallis Annenberg Center for the Performing Arts Ticket Services located at 9390 N. Santa Monica Blvd., Beverly Hills, CA 90210.
For more information, visit TheWallis.org.
--Sarah Jarvis, The Wallis
Iceland Comes to Winnipeg - Additions Announced to Winnipeg New Music Festival
The Winnipeg New Music Festival's (WNMF) unique relationship with Iceland – its innovative composers and their uniquely evocative music – has evolved over a number of seasons. This year is the 100th anniversary of an important milestone in Icelandic history: the Danish Icelandic Act, a pivotal point in Iceland's history and journey to independence. In celebration of that event, the 2018 Festival (running Jan. 27-Feb. 2, 2018) presents multiple world premieres by Icelandic composers including a major new work for orchestra and choir by Hilmar Örn Hilmarsson on January 31.
Also featured is a premiere choral work by two-time Academy Award nominee and Golden Globe winner for Best Score Jóhann Jóhannsson (Jan 29), and a Canadian premiere of music by Björk (Jan. 27). The world premiere live music score and film of "Dawson City: Frozen Time" by film director Bill Morrison (The Miners Hymns with Jóhann Jóhannsson) and Sigur Ros producer, collaborator, and composer Alex Somers (of Jonsi and Alex, and Riceboy Sleeps) takes place Feb. 3. In addition, Björk's pianist and collaborator Jonas Sen will be performing his own music (Jan. 25) as well as performing with Philip Glass (Jan. 28, The Complete Piano Etudes), and there will be a sneak preview of a new film by Guy Maddin (Jan. 25).
For complete information, visit https://wnmf.ca/
--Shira Gilbert PR
John J. Puccio, Editor, Publisher, Reviewer
Understand, I'm just an everyday guy reacting to something I love. And I've been doing it for a very long time, my appreciation for classical music starting with the musical excerpts on The Big John and Sparkie radio show in the early Fifties and the purchase of my first recording, The 101 Strings Play the Classics, around 1956. In the late Sixties I began teaching high school English and Film Studies as well as becoming interested in hi-fi, my audio ambitions graduating me from a pair of AR-3 speakers to the Fulton J's recommended by The Stereophile's J. Gordon Holt. In the early Seventies, I began writing for a number of audio magazines, including Audio Excellence, Audio Forum, The Boston Audio Society Speaker, The American Record Guide, and from 1976 until 2008, The $ensible Sound, for which I served as Classical Music Editor.
Today, I'm retired from teaching and use a pair of bi-amped VMPS RM40s loudspeakers for my listening. In addition to writing the Classical Candor blog, I served as the Movie Review Editor for the Web site Movie Metropolis (formerly DVDTown) from 1997-2013. Music and movies. Life couldn't be better.
Karl W. Nehring, Contributing Reviewer
For more than 20 years I was the editor ofThe $ensible Soundmagazine and a regular contributor to its classical review pages. I would not presume to present myself as some sort of expert on music, but I have a deep love for and appreciation of many types of music, "classical" especially, and have listened to thousands of recordings over the years, many of which still line the walls of my listening room (and occasionally spill onto the furniture and floor, much to the chagrin of my long-suffering wife). I have always taken the approach as a reviewer that what I am trying to do is simply to point out to readers that I have come across a recording that I have found of interest, a recording that I think they might appreciate my having pointed out to them. I suppose that sounds a bit simple-minded, but I know I appreciate reading reviews by others that do the same for me -- point out recordings that I think I might enjoy.
For readers who might be wondering about what kind of system I am using to do my listening, I should probably point out that I do a LOT of music listening and employ a variety of means to do so in a variety of environments, as I would imagine many music lovers also do. Starting at the more grandiose end of the scale, the system in which I do my most serious listening comprises an Onkyo C-7030 CD player, Legacy Audio StreamLine preamplifier, Legacy Audio PowerBloc2 amplifier, and a pair of Legacy Audio Focus SE speakers augmented by a Legacy Point One subwoofer. I also do a lot of listening while driving in my 2016 Acura RDX with its nice-sounding ELS Studio sound system through which I play CDs (the ones I especially like I rip to the Acura's hard drive so that I can listen to them whenever I want) or stream music through the system using my LG G7 ThinQ cell phone, which features surprisingly sophisticated audio circuitry. For more casual listening at home when I am not in my listening room, I often stream music through the phone into a Vizio soundbar system that has remarkably nice sound for such a diminutive physical presence. And finally, at the least grandiose end of the scale, I have an Ultimate Ears Wonderboom Bluetooth speaker for those occasions where I am somewhere by myself without a sound system but in desperate need of a musical fix. I just can't imagine life without music and I am humbly grateful for the technology that enables us to enjoy it in so many wonderful ways.
Bryan Geyer, Technical Analyst
I initially embraced classical music in 1954 when I mistuned my car radio and heard the Heifetz recording of Mendelssohn's Violin Concerto. That inspired me to board the new "hi-fi" DIY bandwagon. In 1957 I joined one of the pioneer semiconductor makers and spent the next 32 years marketing transistors and microcircuits to military contractors. Home audio DIY projects remained a personal passion until 1989 when we created our own new photography equipment company. I later (2012) revived my interest in two channel audio when we "downsized" our life and determined that mini-monitors + paired subwoofers were a great way to mate fine music with the space constraints of condo living.
Visitors that view my technical papers on this site may wonder why they appear here, rather than on a site that features audio equipment reviews. My reason is that I tried the latter, and prefer to publish for people who actually want to listen to music; not to equipment. My focus is in describing what's technically beneficial to assure that the sound of the system will accurately replicate the source input signal (i. e. exhibit high accuracy) without inordinate cost and complexity. Conversely, most of the audiophiles of today strive to achieve sound that's euphonic, i.e. be personally satisfying. In essence, audiophiles seek sound that's consistent with their desire; the music is simply a test signal.
It is the goal of Classical Candor to promote the enjoyment of classical music. Other forms of music come and go--minuets, waltzes, ragtime, blues, jazz, bebop, country-western, rock-'n'-roll, heavy metal, rap, and the rest--but classical music has been around for hundreds of years and will continue to be around for hundreds more. It's no accident that every major city in the world has one or more symphony orchestras.
When I was young, I heard it said that only intellectuals could appreciate classical music, that it required dedicated concentration to appreciate. Nonsense. I'm no intellectual, and I've always loved classical music. Anyone who's ever seen and enjoyed Disney's Fantasia or a Looney Tunes cartoon playing Rossini's William Tell Overture or Liszt's Hungarian Rhapsody No. 2 can attest to the power and joy of classical music, and that's just about everybody.
So, if Classical Candor can expand one's awareness of classical music and bring more joy to one's life, more power to it. It's done its job. --John J. Puccio
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