Classical Music News of the Week, November 25, 2017
From standard repertoire to rare gems, no one interprets George Frideric Handel like conductor Nicholas McGegan and Philharmonia Baroque Orchestra and Chorale, who will perform back-to-back Handel programs in December. First will be PBO's critically-acclaimed, historically-informed performances of Handel's Messiah in concerts December 8-10 followed by the rarely performed Joseph and his Brethren with concerts December 14-17.
McGegan and Philharmonia Baroque Orchestra and Chorale will inspire audiences with Handel's holiday treasure Messiah at Herbst Theatre, San Francisco, CA on Friday, December 8 at 7 pm; on Saturday, December 9 at 7 pm at First Congregational Church in Berkeley, CA; and Sunday, December 10 at 3 pm at Weill Hall, Green Music Center in Rohnert Park, CA. The Orchestra and Chorale will be joined by soprano Yulia Van Doren, mezzo-soprano Diana Moore, tenor James Reese and baritone Philip Cutlip. There will be a pre-concert talk given by Philharmonia Chorale Director Bruce Lamott forty-five minutes prior to each performance that will be open to all ticket-holders.
McGegan is also excited to present Handel's Joseph and his Brethren, never performed before by PBO. The program features mezzo-soprano Diana Moore in a trouser role as the title character with soprano Sherezade Panthaki, tenor Nicholas Phan and baritone Philip Cutlip. Soprano Gabrielle Haigh and mezzo-soprano Abigail Levis will also be featured, as will the Philharmonia Chorale who will perform the roles of Joseph's Brethren, Egyptians and Hebrews.
McGegan leads PBO in Joseph and his Brethren on Thursday, December 14 at 7 pm at Herbst Theatre in San Francisco; on Friday, December 15 at 7:30 pm at First United Methodist Church in Palo Alto, CA; and on Saturday, December 16 at 7 pm and Sunday, December 17 at 4 pm at First Congregational Church in Berkeley, CA. There will be a pre-concert talk given by Philharmonia Chorale Director Bruce Lamott forty-five minutes prior to each performance that will be open to all ticket-holders.
Tickets range from $28 to $125. For more information about these and other Philharmonia Baroque Orchestra & Chorale concerts, visit philharmonia.org. For tickets, visit cityboxoffice.com or call 415-392-4400. Tickets to the Green Music Center available at gmc.sonoma.edu.
(Save 20% on tickets now and catch all the drama and intrigue as this story unfolds December 14-17 in Palo Alto, San Francisco and Berkeley. Special e-mail offer: 20% off tickets!
Use Discount Code: HANDELx2 at https://www.cityboxoffice.com/?category=33
For more information, visit https://philharmonia.org/
--Dianne Provenzano, Philharmonica Barooque Orchestra
Salon/Sanctuary Concerts - Early Music of the Maghreb and Carthage Conquer'd
Early Music of the Maghreb:
The region of Northern Africa to the west of Egypt, once known as the Barbary Coast and later, the Maghreb, nurtured a volatile mix of Phoenician, Carthaginian, and later Berber, Jewish, and Arabic cultures. Its most legendary city a sacrifice to Rome's founding, its more recent turmoil the troubled heir of European colonialization.
An ethnic cauldron and brutal colonialism forged a vibrant and kaleidoscopic musical tradition that lives on to this day. Please join us for our second collaboration with Afro Roots Tuesdays, as we welcome an ensemble of gifted musicians of Algerian, Tunisian, and Morrocan origin, for an early music concert surely unlike any other.
Tuesday, December 12 at 7:30 PM
The Bernie Wohl Center
647 Columbus Avenue, NYC
The capital of Tunisia was once the legendary city of Carthage. Its Queen Dido, loved and abandoned by Aeneas on his mission to found Rome, inspired countless musical masterworks from the baroque era to Berlioz. This concert alternates cantatas dedicated to the Carthaginian Queen with the Arabic form of improvisation known as Taksim, as two historically informed ensembles – one western and the other Tunisian, share a stage, offering a new perspective on Dido the misused monarch and the site of Northern Africa as both exploited resource and object of fantasy in the Western European mythscape.
Saturday, December 16 at 8:00 PM
The Abigail Adams Smith Auditorium
417 East 61st Street, NYC
For more information, visit http://www.salonsanctuary.org/
"A Pure Classical Thrill Ride"
The value of a classical concert is not a function of length.
Take the Cleveland Orchestra this last week. Friday night at Severance Hall, the group delivered a near-perfect 18th-century package, all in a little over an hour.
It didn't used to be this way. In an amusing pre-concert address from the stage, two orchestra members and conductor Nicholas McGegan, a specialist in early music, reminded the first 'Fridays@7' audience of the year that concerts in Mozart's day were often elaborate, evening-length affairs featuring any number of performances.
Happily, on Friday, the orchestra cut right to the chase. Between Mozart's Piano Concerto No. 9 and 'Linz' Symphony No. 36, the group had just enough to delight and engage but not enough to overstay any welcome."
After such joys, one truly couldn't have asked for more."
--Zachary Lewis, The Plain Dealer
San Francisco Girls Chorus Presents Annual Holiday Concert
San Francisco Girls Chorus (SFGC) presents its annual holiday concert, "Greetings From All Seasons!" on Monday, December 18, 7:30 p.m. at Davies Symphony Hall.
This year's concert will celebrate holiday traditions of multiple faiths with a selection of festive music from across the world. Music Director and Principal Conductor Valérie Sainte-Agathe will lead the combined forces of nearly 300 choristers and various featured guest artists including soprano and SFGC alumnae Michele Kennedy (1995); multi-instrumentalist and traditional music specialist Shira Kammen; Stanford University Organist Robert Huw Morgan; and Ensemble Alcatraz percussionist Peter Maund. Continuing its commitment to new music, SFGC will also present two World Premieres including Parable by Richard Danielpour, a commission inspired by the Iranian New Year Festival of Nowruz, and "I Wrote Your Name" from "Syrian Seasons" by Seattle-based composer Eric Banks.
Tickets range in price from $30 to $60, and can be purchased by calling (415) 392-4400 or through City Box Office online at cityboxoffice.com.
--Brenden Guy, Marketing and PR
Free Cultural Walking Tours of Brooklyn's Downtown Art Scene
On Saturday, December 2, 2017 at 11:00am, Fulton Area Business Alliance (FAB) and contemporary opera producer American Opera Projects (AOP) will offer The Brooklyn Cultural District Walking Tour, a free, two-hour guided walking tour through Fort Greene, Brooklyn that shows how the neighborhood has become one of the most vibrant hubs for the arts in America today. Live performances by opera singers of specially selected songs accompany the tour.
The tours are free, but space is limited and advance registration is required. For registration and more information about the tours, visit http://bit.ly/FABTour or contact: email@example.com or 718-398-4024.
--Matt Gray, American Opera Projects
Preview the New Opera from Greg Spears and Christopher Williams
Philadelphia Dance Projects in partnership with AOP present Wolf-in-Skins
First Chance Informance of Act II. Run time: 60 minutes.
Philadelphia Dance Projects in partnership with American Opera Projects will present an "Informance" with choreographer Christopher Williams and composer Gregory Spears as the culmination of a creative artist residency to further develop their original dance opera, Wolf-in-Skins. An "Informance" is a work-in-progress showing, where the artists are in conversation with the audience about the content of the work, their ideas and inspiration. Dancers, singers and musicians will perform sections from the work.
November 29 & 30 | 7 :30 PM
SEI Innovation Studio at The Kimmel Center
300 South Broad Street
Philadelphia PA 19102
--Matt Gray, American Opera Projects
#GivingTuesday Is Less Than a Week Away, and SOLI Is Among the Organizations You Can Support
Join the movement & give back, November 28th, 2017.
We have two days for getting deals - Black Friday and Cyber Monday. On #GivingTuesday, we have a day for giving back! Together, people are creating a new ritual for our annual calendar. #GivingTuesday is the opening day of the giving season: a reminder of the "reason for the season." Every act of generosity counts, and each means even more when we give together.
Everyday, SOLI Chamber Ensemble fulfill's an important role in our community:
Bringing the newest and the best contemporary music to the people of San Antonio, therefore establishing our city as one of the most eclectic cultural centers in the United States, and educating the future generation of music lovers and professionals, who will continue to spread the joy, fulfillment, and the compassion that music promotes.
Please help us continue to change lives through music. Make a contribution today: http://www.solichamberensemble.com/#!giving-tuesday/
--SOLI Chamber Ensemble
First-Ever Nutcracker Dance Party
As you prepare for Thanksgiving, Experiential Orchestra is busily preparing for our first-ever Nutcracker Dance Party next week! In true EXO fashion, we have assembled an outrageously brilliant orchestra to perform the complete ballet in its full orchestration, so you will hear all of Tchaikovsk's gorgeous orchestral colors in all of their glory and mystery and magic. If you don't have tickets yet, now is the time! A perfect early Christmas gift, or a great way to start this holiday season with pure joy.
No ballet experience is necessary for this dance party, and if you would rather not dance, there are seats available either inside the orchestra, where the sound will surround you and embrace you, or off to the sides (if you'd prefer to be like Marie in the second act).
Nutcracker Dance Party
Thursday, November 30 at 8pm
The DiMenna Center for Classical Music (450 West 37th Street, NYC)
$40 for dancing or standing room; $75 for a seat inside the orchestra; $100 VIP ticket with champagne reception.
Nutcracker Dance Party for Kids (5+ with their adult dancing companions)
Saturday, December 2 at 2:30pm
The DiMenna Center for Classical Music (450 West 37th Street, NYC)
Adult tickets: $40 for dancing-room or seats farther away, and $75 for prime seating.
Kid tickets: $25 for one, $45 for two, and $60 for three. (All children must be accompanied by an adult dancing companion.)
For tickets and information, visit https://www.experientialorchestra.com/concerts/
William (Bill) Heck, Contributing Reviewer
Among my early childhood memories are those of listening to my mother playing records (some even 78 rpm ones!) of both classical music and jazz tunes. I suppose that her love of music was transmitted genetically, and my interest was sustained by years of playing in rock bands – until I realized that this was no way to make a living. The interest in classical music was rekindled in grad school when the university FM station serving as background music for studying happened to play the Brahms First Symphony. As the work came to an end, it struck me forcibly that this was the most beautiful thing I had ever heard, and from that point on, I never looked back. This revelation was to the detriment of my studies, as I subsequently spent way too much time simply listening, but music has remained a significant part of my life. These days, although I still can tell a trumpet from a bassoon and a quarter note from a treble clef, I have to admit that I remain a nonexpert. But I do love music in general and classical music in particular, and I enjoy sharing both information and opinions about it.
The audiophile bug bit about the same time that I returned to that classical music. I’ve gone through plenty of equipment, brands from Audio Research to Yamaha, and the best of it has opened new audio insights. Along the way, I reviewed components, and occasionally recordings, for The $ensible Sound magazine. Recently I’ve rebuilt--I prefer to say reinvigorated--my audio system, with a Sangean FM HD tuner and (for the moment) an ancient Toshiba multi-format disk player serving as a transport, both feeding a NAD C 658 streaming preamp/DAC, which in turn connects to a Legacy Powerbloc2 amplifier driving my trusty Waveform Mach Solo speakers, supplemented by a Hsu Research ULS 15 Mk II subwoofer.