American Classical Orchestra Performs CPE Bach and Handel's Messiah with ACO Chorus
On Monday, December 4, 2017 at 8:00 p.m., the American Classical Orchestra, "the nation's premier orchestra dedicated to period instrument performance (Vulture)," presents a holiday program featuring the acclaimed ACO Chorus in the Christmas portion of Handel's Messiah, performed in the sacred setting of St. Ignatius of Antioch Church, NYC. Soloists will include sopranos Katherine Wessinger and Nola Richardson; altos Kate Maroney and Clifton Massey; tenors Andrew Fuchs, Nils Neubert, and Gene Stenger; and basses Timothy McDevitt and Edmund Milly. For the first time ever, ACO also performs Carl Philip Emmanuel Bach's Magnificat.
This season, the American Classical Orchestra is launching an innovative Concert Preview program that will bring listeners closer to the music. Before conducting the program, Maestro Crawford will deliver an introduction, with the full orchestra and chorus onstage to perform excerpts from the evening's program. Crawford's engaging narratives, along with the live music, will give the audience greater insights into what they're about to hear, resulting in a more enriched musical experience.
Additional concerts in the ACO's 2017-18 season include five Baroque concertos with violinist Stephanie Chase at Alice Tully Hall on February 8; and a program of works by Brahms, Schubert, and Ries with contralto Avery Amereau and the ACO Men's Chorus on March 24.
CPE Bach: Magnificat
Handel: Messiah Christmas Portion, with ACO Chorus and Soloists
Monday, December 4, 2017 at 8:00 p.m.
St. Ignatius of Antioch Church: 87th St. and West End Ave., New York City
Tickets for the December 4 concert can be purchased at http://aconyc.org/concert-event/cpe-bach-handel/ or by calling ACO at 212.362.2727. Please visit www.aconyc.org for more information.
--Katy Salomon, Morahan Arts and Media
Salisbury Symphony's Messiah
The Salisbury Symphony and the Salisbury Symphony Chorale present their first holiday concert of Christmas excerpts from Handel's ever-popular Messiah. The concert will take place on Tuesday December 19 at 6.30pm at First Presbyterian Church, 308 W Fisher Street, Salisbury, NC.
This concert is part of the inaugural season for the newly-formed 40 member-strong Salisbury Symphony Chorale, which has already earned a reputation as a leading choral society in the region following their highly acclaimed concert with St. John's Lutheran Church as part of the celebration of the Reformation's 500th anniversary.
Soloists for the Messiah are University of North Carolina School of the Arts-trained soprano Anyée Farrar, alto Alden Pridgen, tenor Logan Weber, and bass Eric Powell. Music Director David Hagy will conduct this concert, which also features an 18-piece orchestra.
Tickets are $15 for adults and $5 for ages 18 and below. Children under 10 years old get free admission. Seating is general admission. Tickets can be purchased by phone at 704 216 1513 or online at www.salisburysymphony.org.
For complete information, visit www.salisburysymphony.org
--James Harvey, Salisbury Symphony
Magdalena Kozena Signs to Pentatone
Pentatone announce that Magdalena Kožená, one of the most celebrated vocalists of our time, has formed a long-term partnership with the label. This new partnership will showcase the breadth of her repertoire over several albums, from Baroque opera to contemporary art song, from Rameau to Berio.
The Czech mezzo-soprano spent time in the recording studio this past summer and documented a selection of heart-wrenchingly beautiful songs from her homeland by Dvorák and Janácek, coupled with some of the repertoire's most famous melodies, including Strauss's eternal "Morgen!," Chausson's poetic "Chanson perpétuelle" and Brahms's "Two Songs," Op. 91 – some of them in new arrangements. Joining her were her husband, Sir Simon Rattle, in his first-ever appearance as a pianist on record, and six of their closest colleagues: Wolfram Brandl and Rahel Rilling on violin, Yulia Deyneka on viola, Dávid Adorján on cello, Andrew Marriner on clarinet and Kaspar Zehnder on flute.
"So, all friends together. You could imagine them playing hausmusik in someone's living room, in proper German fashion, and this concert felt as if they'd been performing these pieces for ages and were now graciously allowing us to eavesdrop. Rattle was all smiles, with none of the nervousness you'd expect from someone venturing into the unfamiliar role of pianist." --The Telegraph
--Silvia Pietrosanti, Pentatone Music
Gulbenkian Orchestra Appoints Giancarlo Guerrero as Principal Guest Conductor
Giancarlo Guerrero, who has led the Nashville Symphony as its Music Director for nearly a decade, has in the last six months picked up two additional posts in Europe. Today, the Gulbenkian Orchestra in Lisbon announced that it has appointed Guerrero Principal Guest Conductor. He will conduct up to four weeks with that orchestra, beginning in August 2018. Just six months ago, in June 2017, it was announced that Guerrero will be the new Music Director of the NFM Wroclaw Philharmonic in Poland, where he will conduct four weeks in 2017/18 - increasing to eight weeks in the 2018/19 season - and take part in touring and recording projects.
Guerrero was appointed Music Director of the Nashville Symphony in 2009 and has committed to serve in this role through the 2024/25 season. During his tenure, Guerrero and the orchestra have made more than a dozen award-winning recordings for Naxos, and have won eight of the ensemble's eleven Grammy Awards.
For more information, visit www.giancarlo-guerrero.com.
--Rebecca Davis Public Relations
Young People's Chorus of NYC and Ailyn Pérez Celebrate the Holidays
The Young People's Chorus of New York City (YPC) celebrates the holidays at Carnegie Hall with its Winter Wonder program featuring soprano and Metropolitan Opera star Ailyn Pérez as guest artist on Thursday, December 14 at 7:00 p.m. Under the direction of YPC Artistic Director/Founder Francisco J. Núñez and Associate Artistic Director Elizabeth Núñez, the program highlights the different ways New York City families commemorate the festivities, with repertoire including holiday classics and international songs sung by over 400 YPC choristers ages 8 to 18.
Tickets priced $25-100 are available via the Carnegie Hall Box Office, 154 West 57th Street; by calling CarnegieCharge at 212-247-7800; or by visiting the Carnegie Hall website, carnegiehall.org.
PostClassical Emsemble, National Cathedral Embark on New Concert Series
Washington, DC's intrepid PostClassical Ensemble (PCE) and Music Director Angel Gil-Ordoñez perform "Music in Wartime: A Pearl Harbor Day Commemoration" at the Washington National Cathedral on Thursday, December 7, 2017 at 7:30pm. Produced by PCE's Executive Director Joseph Horowitz, the performance is comprised of musical responses to war from Hanns Eisler, Dmitri Shostakovich, and Arnold Schoenberg. The concert marks the start of PCE's inaugural season as the Cathedral's ensemble in residence and underscores PCE's drive to use this season to contextualize music throughout history.
The concert begins with Eisler's The Hollywood Songbook, a collaboration with playwright and poet Bertolt Brecht, a wartime workers' song performed as a processional. The set of 46 short songs details the affliction of war and the helplessness these German emigres felt as they watched from California as their homeland slipped into dissolution and destruction.
Shostakovich's Piano Trio No. 2 is a cry of pain provoked by the barbaric Nazi Siege of Leningrad, in which half a million perished.
Concluding the performance, Schoenberg's seething and exalted Ode to Napoleon, composed in Los Angeles in response to Pearl Harbor, uses Lord Byron's "Ode to Napoleon" to excoriate Hitler and exalt Franklin Delano Roosevelt. Byron's poem rages against the autocrat Napoleon in favor of the democrat George Washington; Schoenberg uses this inspiration to draw comparisons between Hitler and FDR.
Tickets and information are available at http://postclassical.com/
--Mike Fila, BuckleSweet Media
SF Symphony's Fire Relief Benefit, Alec Baldwin and Kurt Andersen
SF Symphony's fire relief benefit: Sunday, November 19, Davies Symphony Hall, Civic Center, San Francisco, CA.
In the wake of the devastating wildfires that brought extensive damage throughout the North Bay last month, many artistic organizations have looked for ways to contribute to the relief efforts. The healing power of music--not to mention the opportunity to garner financial support for those affected--makes a benefit concert the natural path.
For more information, visit http://www.sfgate.com/music/article/Michael-Tilson-Thomas-SF-Symphony-host-benefit-12354865.php
Emerson String Quartet Returns to Alice Tully Hall
The renowned Emerson String Quartet has returned from a European tour to perform at the Alice Tully Hall, NYC on November 28, 2017 at 7:30 PM.
The program features Beethoven's B-flat-major quartet, which shattered tradition with six movements, including the profoundly beautiful "Cavatina"; the original ending, the Grosse Fuge, was deemed too momentous for an already overpowering work and now stands alone in the repertoire. The "indispensable" Emerson String Quartet (Newsday) will perform both pieces along with Shostakovich's Thirteenth Quartet, a surreal piece in which simplicity becomes sonically extraordinary.
November 28, 2017 at 7:30 PM
Alice Tully Hall, NYC
For more information and tickets, visit http://www.lincolncenter.org/great-performers/show/emerson-string-quartet-5
--Xi Wang, Kirshbaum Associates
The Chelsea Symphony Performs Ravel, Smetena, Reinecke, Mozart, and Dai
The Chelsea Symphony, featured in the hit Amazon show "Mozart in the Jungle," announces the continuation of its 2017/18 season, entitled "Sea Change," with a holiday concert on December 1 featuring special guest, comedian Judy Gold, narrating "The Night Before Christmas" by composer Aaron Dai.
The concert also includes Bedrich Smetana's The Moldau, Carl Reinecke's Flute Concerto, featuring flutist Dirk Wels, Maurice Ravel's Tzigane, featuring violinist Megan Hilands, Leopold Mozart's Sinfonia pastorale, "Alphorn" and Wolfgang Amadeus Mozart's Concert Rondo featuring trumpetist Warren Wernick, and seminal holiday classic, Leroy Anderson's "Sleigh Ride" with guest conductor Pam Aubin.
A silent auction in support of the orchestra will take place before the downbeat and during intermission, concluding during a festive complimentary wine reception following the concert. Start your holiday season with The Chelsea Symphony!
December 1, 2017 Concert at 8:00 PM
Conducted by Reuben Blundell, Nell Flanders, and special guest Pam Aubin
St. Paul's Church (315 West 22nd Street), NYC
For more information, visit www.chelseasymphony.org
--Elizabeth Holub, Chelsea Symphony
John J. Puccio, Editor, Publisher, Reviewer
Understand, I'm just an everyday guy reacting to something I love. And I've been doing it for a very long time, my appreciation for classical music starting with the musical excerpts on The Big John and Sparkie radio show in the early Fifties and the purchase of my first recording, The 101 Strings Play the Classics, around 1956. In the late Sixties I began teaching high school English and Film Studies as well as becoming interested in hi-fi, my audio ambitions graduating me from a pair of AR-3 speakers to the Fulton J's recommended by The Stereophile's J. Gordon Holt. In the early Seventies, I began writing for a number of audio magazines, including Audio Excellence, Audio Forum, The Boston Audio Society Speaker, The American Record Guide, and from 1976 until 2008, The $ensible Sound, for which I served as Classical Music Editor.
Today, I'm retired from teaching and use a pair of bi-amped VMPS RM40s loudspeakers for my listening. In addition to writing the Classical Candor blog, I served as the Movie Review Editor for the Web site Movie Metropolis (formerly DVDTown) from 1997-2013. Music and movies. Life couldn't be better.
Karl W. Nehring, Contributing Reviewer
For more than 20 years I was the editor ofThe $ensible Soundmagazine and a regular contributor to its classical review pages. I would not presume to present myself as some sort of expert on music, but I have a deep love for and appreciation of many types of music, "classical" especially, and have listened to thousands of recordings over the years, many of which still line the walls of my listening room (and occasionally spill onto the furniture and floor, much to the chagrin of my long-suffering wife). I have always taken the approach as a reviewer that what I am trying to do is simply to point out to readers that I have come across a recording that I have found of interest, a recording that I think they might appreciate my having pointed out to them. I suppose that sounds a bit simple-minded, but I know I appreciate reading reviews by others that do the same for me -- point out recordings that I think I might enjoy.
For readers who might be wondering about what kind of system I am using to do my listening, I should probably point out that I do a LOT of music listening and employ a variety of means to do so in a variety of environments, as I would imagine many music lovers also do. Starting at the more grandiose end of the scale, the system in which I do my most serious listening comprises an Onkyo C-7030 CD player, Legacy Audio StreamLine preamplifier, Legacy Audio PowerBloc2 amplifier, and a pair of Legacy Audio Focus SE speakers augmented by a Legacy Point One subwoofer. I also do a lot of listening while driving in my 2016 Acura RDX with its nice-sounding ELS Studio sound system through which I play CDs (the ones I especially like I rip to the Acura's hard drive so that I can listen to them whenever I want) or stream music through the system using my LG G7 ThinQ cell phone, which features surprisingly sophisticated audio circuitry. For more casual listening at home when I am not in my listening room, I often stream music through the phone into a Vizio soundbar system that has remarkably nice sound for such a diminutive physical presence. And finally, at the least grandiose end of the scale, I have an Ultimate Ears Wonderboom Bluetooth speaker for those occasions where I am somewhere by myself without a sound system but in desperate need of a musical fix. I just can't imagine life without music and I am humbly grateful for the technology that enables us to enjoy it in so many wonderful ways.
Bryan Geyer, Technical Analyst
I initially embraced classical music in 1954 when I mistuned my car radio and heard the Heifetz recording of Mendelssohn's Violin Concerto. That inspired me to board the new "hi-fi" DIY bandwagon. In 1957 I joined one of the pioneer semiconductor makers and spent the next 32 years marketing transistors and microcircuits to military contractors. Home audio DIY projects remained a personal passion until 1989 when we created our own new photography equipment company. I later (2012) revived my interest in two channel audio when we "downsized" our life and determined that mini-monitors + paired subwoofers were a great way to mate fine music with the space constraints of condo living.
Visitors that view my technical papers on this site may wonder why they appear here, rather than on a site that features audio equipment reviews. My reason is that I tried the latter, and prefer to publish for people who actually want to listen to music; not to equipment. My focus is in describing what's technically beneficial to assure that the sound of the system will accurately replicate the source input signal (i. e. exhibit high accuracy) without inordinate cost and complexity. Conversely, most of the audiophiles of today strive to achieve sound that's euphonic, i.e. be personally satisfying. In essence, audiophiles seek sound that's consistent with their desire; the music is simply a test signal.
It is the goal of Classical Candor to promote the enjoyment of classical music. Other forms of music come and go--minuets, waltzes, ragtime, blues, jazz, bebop, country-western, rock-'n'-roll, heavy metal, rap, and the rest--but classical music has been around for hundreds of years and will continue to be around for hundreds more. It's no accident that every major city in the world has one or more symphony orchestras.
When I was young, I heard it said that only intellectuals could appreciate classical music, that it required dedicated concentration to appreciate. Nonsense. I'm no intellectual, and I've always loved classical music. Anyone who's ever seen and enjoyed Disney's Fantasia or a Looney Tunes cartoon playing Rossini's William Tell Overture or Liszt's Hungarian Rhapsody No. 2 can attest to the power and joy of classical music, and that's just about everybody.
So, if Classical Candor can expand one's awareness of classical music and bring more joy to one's life, more power to it. It's done its job. --John J. Puccio
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