Classical Music News of the Week, August 26, 2017
The Orion Ensemble, winner of the prestigious Chamber Music America/ASCAP Award for Adventurous Programming, celebrates its 25th anniversary with a benefit performance and party Saturday, October 7 at 12 noon at Dunham Woods Riding Club in Wayne, Illinois. Proceeds will help support Orion's performances and outreach efforts to young musicians.
The event features a special concert by Orion in the intimate setting of the historic Dunham Woods Riding Club, which is listed in the National Register of Historic Places. After the performance, guests enjoy lunch and mingle and chat with the musicians. This event offers Orion fans an extra chance to enjoy the Ensemble's music while supporting its work.
Orion's 25th anniversary season features four concert programs, all welcoming guest violist Stephen Boe: "A Beautiful Oboe and Friends," also featuring guests Alex Klein, oboe, and Robert Kassinger, bass, on a program of Mozart, Prokofiev and Schubert, in September and October; "Let's Tango," featuring works by Bernstein, von Dohnanyi, Horn and Schumann, in November; "Old Meets New," highlighted by a world premiere in honor of the 25th anniversary by Sebastian Huydts, along with works by Bruch, Klein and Fauré, in March; and "Quintessential Quintets," with additional guest artist violinist Mathias Tacke performing on a program including Weber, Gershwin and Dvorák, in May. Each concert program takes place at three locations: Geneva, Evanston and downtown Chicago, Il.
The Orion Ensemble's benefit takes place Saturday, October 7 at 12 noon at Dunham Woods Riding Club, 33w333 Army Trail, Wayne, Illinois. The requested donation is $75. For tickets or more information, call 630-628-9591 or visit orionensemble.org.
--Jill Chukerman, The Orion Ensemble
PBO Opens Season with U.S. Premiere of Co-Commission with OAE
Two of the world's leading period instrument orchestras have joined forces to commission a provocative new passion by Scottish composer Sally Beamish and librettist David Harsent. Philharmonia Baroque Orchestra & Chorale and London's Orchestra of the Age of Enlightenment (OAE)---the UK's premier period instrument orchestra---co-commissioned "The Judas Passion" to be written specifically for period instruments. OAE will perform the world premiere in the U.K. September 24 and 25 with PBO music director Nicholas McGegan at the podium. McGegan then returns to the Bay Area to open PBO's 2017/18 season with the U.S. premiere of "The Judas Passion" October 4-8 in Palo Alto, San Francisco and Berkeley.
A few years ago, at a kitchen table in Scotland, Nicholas McGegan and composer and friend Sally Beamish (his neighbor) talked about creating a new work for period instruments. Beamish was fascinated by the story of Judas Iscariot and sought to create a work that would present Judas in a new light. PBO music director and conductor Nicholas McGegan has long been interested in commissioning new music written expressly for period instruments. McGegan then invited OAE to participate and the historic co-commission was born.
"One of the extraordinary things about pieces commissioned by PBO is that they come from composers we know personally---Caroline Shaw, Jake Heggie, Sally Beamish. It's very advantageous this way, because we're then able to work closely and personally with the composer to produce the result. Most of this process is seeing what particular advantages period instruments have over modern instruments, and getting their creative juices flowing," says McGegan.
Librettist David Harsent was engaged to help present a new angle on the traditional Judas narrative. His provocative libretto will explore new ideas of redemption and forgiveness for this often maligned Biblical figure.
Tickets range from $28 to $120. For more information about this and other Philharmonia Baroque Orchestra & Chorale concerts, visit philharmonia.org. For tickets, visit cityboxoffice.com or call 415-392-4400.
Classical KDFC is the radio home of Philharmonia Baroque Orchestra & Chorale. KDFC broadcasts an unreleased live Philharmonia concert recording the second Sunday of every month from 8-9 PM.
For more information, visit https://philharmonia.org/
--Dianne Provenzano, PBO
Cellist Mischa Maisky Performs with Orpheus Chamber Orchestra at 92Y Opening Night
Orpheus Chamber Orchestra celebrates the 70th birthday year of internationally celebrated cellist and frequent collaborator Mischa Maisky in 92nd Street Y's season opening concert at Kaufmann Concert Hall on Thursday, October 5, 2017 at 8:00 p.m. Orpheus and Maisky have enjoyed a long history of successful musical collaboration, including recordings of the Saint-Saëns, Vivaldi, and Boccherini Cello Concertos, and many acclaimed concerts. Maisky joins Orpheus for Dobrinka Tabakova's arrangement of Schubert's "Arpeggione" Sonata in A minor, the US premiere of the cello and orchestra version. The program also includes Arensky's Variations On A Theme By Tchaikovsky, Op. 35a and Tchaikovsky's Serenade For Strings, Op. 48 and will be Orpheus' first performance at 92nd Street Y since 2002. This program will also be performed at Purchase College on Sunday, October 8 at 3:00 p.m. with cellist Cicely Parnas.
Thursday, October 5, 2017 at 8:00 p.m.
Kaufmann Concert Hall at 92nd Street Y
Orpheus Chamber Orchestra
Mischa Maisky, cello
Arensky: Variations on a Theme by Tchaikovsky, Op. 35a
Schubert: "Arpeggione" Sonata in A minor (arr. D. Tabakova)
Tchaikovsky: Serenade for Strings, Op. 48
Tickets start at $55 for general admission and are $35 for patrons aged 35 and under. Tickets can be purchased from the www.92Y.org, by calling the 92nd Street Y at 212.415.5500, or in person at 1395 Lexington Avenue (between 91st & 92nd street) in New York City.
For more information, visit www.92Y.org.
--Katy Salomon, Morahan Arts and Media
5BMF Presents Brooklyn, Bronx and Staten Island Premieres of Five Borough Songbook, Volume II
Five Boroughs Music Festival (5BMF) presents the Staten Island, Bronx, and Brooklyn premieres of the Five Borough Songbook, Volume II, completing the Songbook's journey across all five boroughs of New York City, which began during 5BMF's tenth anniversary season.
The Songbook premieres in Staten Island on Saturday, September 16, 2017 at 4:00 p.m. at Trinity Lutheran Church and premieres in the Bronx the following evening, Sunday, September 17, 2017 at 5:00 p.m. at the Riverdale-Yonkers Society for Ethical Culture. The concerts feature soprano Marnie Breckenridge, mezzo-soprano Amanda Crider, tenor Michael Slattery, baritone Sidney Outlaw, pianist Thomas Bagwell, and cellist Sophie Shao.
On Thursday, November 16, 2017 at 7:30 p.m. the Songbook completes its journey across New York City with the Brooklyn premiere at National Sawdust in a special finale performance featuring an expanded cast of artists including sopranos Justine Aronson and Marnie Breckenridge, mezzo-soprano Amanda Crider, tenor William Ferguson, baritones Christopher Dylan Herbert and Sidney Outlaw, pianists Thomas Bagwell and Erika Switzer, and cellist Sophie Shao.
Please visit www.5bmf.org or email firstname.lastname@example.org for more information.
--Katlyn Morahan, Morahan Arts and Media
William (Bill) Heck, Contributing Reviewer
Among my early childhood memories are those of listening to my mother playing records (some even 78 rpm ones!) of both classical music and jazz tunes. I suppose that her love of music was transmitted genetically, and my interest was sustained by years of playing in rock bands – until I realized that this was no way to make a living. The interest in classical music was rekindled in grad school when the university FM station serving as background music for studying happened to play the Brahms First Symphony. As the work came to an end, it struck me forcibly that this was the most beautiful thing I had ever heard, and from that point on, I never looked back. This revelation was to the detriment of my studies, as I subsequently spent way too much time simply listening, but music has remained a significant part of my life. These days, although I still can tell a trumpet from a bassoon and a quarter note from a treble clef, I have to admit that I remain a nonexpert. But I do love music in general and classical music in particular, and I enjoy sharing both information and opinions about it.
The audiophile bug bit about the same time that I returned to that classical music. I’ve gone through plenty of equipment, brands from Audio Research to Yamaha, and the best of it has opened new audio insights. Along the way, I reviewed components, and occasionally recordings, for The $ensible Sound magazine. Recently I’ve rebuilt--I prefer to say reinvigorated--my audio system, with a Sangean FM HD tuner and (for the moment) an ancient Toshiba multi-format disk player serving as a transport, both feeding a NAD C 658 streaming preamp/DAC, which in turn connects to a Legacy Powerbloc2 amplifier driving my trusty Waveform Mach Solo speakers, supplemented by a Hsu Research ULS 15 Mk II subwoofer.