Classical Music News of the Week, November 26, 2016
Opera Colorado has announced their 2017-2018 season, which continues to enrich and diversify the scope of its programming with their second world premiere in two years, while also staging enduring works from the classic repertoire.
The three-production season will feature the world premiere of Steal a Pencil for Me, a WWII romance based on a true story, with music by Gerald Cohen and libretto by Deborah Brevoort; Giacomo Puccini's beloved classic La Bohème; and Giuseppe Verdi's masterful comic opera Falstaff. In 2017 – 2018 Opera Colorado will also continue to explore performing in diverse venues throughout the community, staging Steal a Pencil for Me at the Elaine Wolf Theatre at the Mizel Arts and Culture Center, MACC at the JCC.
"We're thrilled to be continuing our mission to support new American work by staging the world premiere of Steal a Pencil for Me—right on the heels of our world premiere of The Scarlet Letter in May 2016—and sharing with audiences a richly complex and moving depiction of this true story," said Greg Carpenter, General Director. "We're equally excited about the classic works we will be presenting next season. La Bohème holds a special place in our company's history because we first staged it during our inaugural season featuring the legendary Placido Domingo. This will also mark the first time we present Falstaff in over 25 years, so we look forward to introducing younger audiences to Verdi's incomparable satirical opera."
For complete information, visit https://www.operacolorado.org/2017-2018-season/
--Clarissa Marzan, Resnicow and Associates
Golden Gate Symphony Presents "Sing It Yourself Messiah"
The Golden Gate Symphony Orchestra & Chorus celebrates the holiday season with its annual "Sing It Yourself Messiah" on Monday, December 12, 7:30 p.m. at Mission Dolores Basilica and Sunday, December 18, 6:00 p.m. at Southern Pacific Brewery. Music Director Urs Leonhardt Steiner will also lead the chorus and audience members with piano accompaniment at the final performance on Monday, December 19, 8:00 p.m. at The Homestead.
These performances mark the Golden Gate Symphony's 10th annual "Sing It Yourself Messiah," offering audiences the opportunity to raise their voices in one of Handel's most beloved choral works and continuing the organization's mission of making classical music accessible and adventurous for all.
The "Sing It Yourself Messiah" is a longstanding tradition in the Bay Area. Created in 1979 by Milton Salkind (1916-1998), former President of the San Francisco Conservatory of Music, these performances were a holiday favorite at Davies Symphony Hall for over 25 years. As a student at the Conservatory during this time, Urs Leonhardt Steiner served as President of the Student Body and worked closely with President Salkind on a number of Conservatory programs designed to take classical music to the San Francisco community at large. After the Conservatory announced that they were discontinuing this popular tradition, Maestro Leonhardt Steiner reimagined and revived the "Sing It Yourself Messiah" in a fitting tribute to his mentor. Ten years later, the tradition now includes everything from a full orchestral and choral performance at the Mission Dolores Basilica, to a raucous singalong at two popular Mission bars, the Southern Pacific Brewery and the Homestead.
Golden Gate Symphony & Chorus: "Sing It Yourself Messiah"
Monday, December 12, 7:30 p.m., Mission Dolores Basilica, San Francisco
Sunday, December 18, 6:00 p.m., Southern Pacific Brewery, San Francisco
Monday, December 19, 8:00 p.m., The Homestead, San Francisco *chorus and piano reduction
Mission Dolores tickets available at www.cityboxoffice.com. Bar performances are open to the public, with limited seating and suggested donation of $20.
--Brenden Guy, Press and Media Relations
New CEO at American Friends of the Israel Philharmonic Orchestra
David Hirsch, President of the Board of the American Friends of the Israel Philharmonic Orchestra (AFIPO), announced today that the Board, following a unanimous recommendation of a search committee, has appointed Naomi Grabel as the AFIPO's first Chief Executive Officer effective December 12, 2016.
Mr. Hirsch states: "Ms. Grabel's extensive background made her a great candidate, but it was her vision that ultimately led to her selection as our very first CEO. The board of the AFIPO has found in Naomi a leader who will focus not only on development but on increasing our footprint through social media to a much larger, more diverse, and younger audience. We recognize that young people are looking to connect with Israel in many ways, and as Israel's greatest non-political ambassador, we fill a very clear and important space."
For more information, visit http://afipo.org/
--Hannah Goldshlack-Wolf, Kirshbaum Associates
ACO and WWFM Announce The ACO Experience
American Composers Orchestra (ACO) and WWFM The Classical Network announce The ACO Experience, a new radio program hosted by Diane Guvenis that features live recordings of music by today's most talented and exciting composers. All works are performed by the American Composers Orchestra or by guest artists and ensembles participating in ACO concerts and ACO's 2011 and 2015 SONiC: Sounds of a New Century, nine-day citywide festivals in New York, each featuring music by more than 100 composers age 40 and under. The broadcast will air once a month on Mondays at 9pm. More information about recent and upcoming broadcasts is available online at: www.americancomposers.org/acoexperience.
David Osenberg, WWFM Music Director, says, "In addition to the great European masters and masterpieces of the past The Classical Network is committed to music of our country and our time. For over four decades ACO has been a beacon for American music past and present. This broadcast partnership will allow ACO's invaluable mission and outstanding performances to reach a new and expanded audience."
ACO President Michael Geller says, "We are thrilled to have an ongoing radio presence with The ACO Experience. So much of the music that ACO performs includes world premieres that are unavailable anywhere else, so it makes sense to make this exciting and eclectic new music available beyond the walls of the concert hall. It helps leverage our mission on behalf of the talented composers writing today. And we are tremendously excited about the partnership with WWFM, an award-winning station that has such a strong commitment to new music."
--Katy Salomon, Jensen Artists
Music Institute Welcomes Holidays and New Year
Academy Chamber Music Concert
Saturday, December 3, 7:30 p.m.: performances by students in the Music Institute's Academy for gifted pre-college musicians
Family Program: "Duke It Out!"
Saturday, December 10, 10 a.m. and 2 p.m.: adaptation of The Nutcracker, curated by Dance Chicago, that pairs the classical (Tchaikovsky) and jazz (Duke Ellington/Billy Strayhorn) versions of the holiday favorite, performed by Axiom Brass and Music Institute Ensemble-in-Residence Quintet Attacca and several Chicago-area dance companies. $7 general admission
Master Class: Euclid Quartet
Saturday, December 10, 6:15 p.m. (public may observe)
Thoresen Performance Center, Winnetka Campus, 300 Green Bay Road
Music Institute of Chicago Chorale: "Curtains Up!"
Sunday, December 11, 7:30 p.m.: The Chorale's 30th anniversary seasons opens with a program of music for the stage, opera, and musical theatre, in collaboration with the Chicago Children's Choir ensembles from Rogers Park and Humboldt Park. $15 adults, $10 seniors, $7 students, brownpapertickets.com
New Around Town Series
Music of Harold Arlen: Heidi Kettenring, vocals; Jeremy Kahn, piano
Monday, December 12, 7:30 p.m.
Double Monk: Jeremy Kahn and Steve Millon, pianos
Monday, January 30, 7:30 p.m.
Community Music School recitals, concerts, and special events
For more information, visit musicinst.org.
--Jill Chukerman, JAC Communications
DCINY Presents the North American Premiere of Sir Karl Jenkins's Cantata Memoria
On January 15 at 2 p.m., Distinguished Concerts International New York (DCINY) will present the North American Premiere of Sir Karl Jenkins's Cantata Memoria For the Children (In Memory of Aberfan 1966) at Carnegie Hall's Stern Auditorium/Perelman Stage, NYC. Jonathan Griffith, DCINY Artistic Director and Principal Conductor, guides the Distinguished Concerts Orchestra and Distinguished Concerts Singers International in this new work, a heartfelt memorial to the 116 children and 28 adults who died in the coal mining town of Aberfan, Wales in 1966 when a catastrophic collapse of a slag pile was caused by a buildup of water in the accumulated rock and shale.
Sir Karl said: "Apart from depicting the disaster itself, Cantata Memoria is also a celebration of childhood, gradually moving from darkness to light. I felt privileged and humbled to have been invited to compose this piece, whilst also being mindful of the responsibility the commission carried to create something with integrity and accessibility that would connect and move everyone."
For more information, visit http://www.carnegiehall.org/Calendar/2017/1/15/0200/PM/The-Music-of-Sir-Karl-Jenkins/
--Ely Moskowitz, Unison Media
Philharmonia Baroque Orchestra Holiday Sale. Select Single Tickets 50% off Through Monday
Get 50% off select single tickets in San Francisco and Palo Alto, CA.
Offer good now through Monday 11/28 at midnight.
For a limited time, you can stock up on Philharmonia Baroque Orchestra concert tickets for the rest of the season and save big time! Get PBO concert tickets for yourself or give them as gifts this holiday season.
Choose any price section at select concerts taking place in San Francisco or Palo Alto. There is no limit on the number of tickets or concerts you buy with this fantastic offer. Just order online before Monday 11/28 at midnight.
Use promo code HOLIDAY2016 to get your 50% discount on select PBO concerts now!
Hurry, this offer expires Monday 11/28 at midnight.
Thursday, December 1 @ 7 pm | Herbst Theatre, San Francisco
Friday, December 2 @ 7 pm | First United Methodist Church, Palo Alto
PBO Sessions: Handel's Joshua
Tuesday, December 6 @ 8 pm | Jewish Community Center SF
Hayden & Mozart
Friday, January 27 @ 8 pm | Herbst Theatre, San Francisco
Friday, March 3 @ 8 pm | Herbst Theatre, San Francisco
Use Promo Code HOLIDAY2016 to get your 50% discount today.
--Dianne Provenzano, Philharmonia Baroque Orchestra
William (Bill) Heck, Contributing Reviewer
Among my early childhood memories are those of listening to my mother playing records (some even 78 rpm ones!) of both classical music and jazz tunes. I suppose that her love of music was transmitted genetically, and my interest was sustained by years of playing in rock bands – until I realized that this was no way to make a living. The interest in classical music was rekindled in grad school when the university FM station serving as background music for studying happened to play the Brahms First Symphony. As the work came to an end, it struck me forcibly that this was the most beautiful thing I had ever heard, and from that point on, I never looked back. This revelation was to the detriment of my studies, as I subsequently spent way too much time simply listening, but music has remained a significant part of my life. These days, although I still can tell a trumpet from a bassoon and a quarter note from a treble clef, I have to admit that I remain a nonexpert. But I do love music in general and classical music in particular, and I enjoy sharing both information and opinions about it.
The audiophile bug bit about the same time that I returned to that classical music. I’ve gone through plenty of equipment, brands from Audio Research to Yamaha, and the best of it has opened new audio insights. Along the way, I reviewed components, and occasionally recordings, for The $ensible Sound magazine. Recently I’ve rebuilt--I prefer to say reinvigorated--my audio system, with a Sangean FM HD tuner and (for the moment) an ancient Toshiba multi-format disk player serving as a transport, both feeding a NAD C 658 streaming preamp/DAC, which in turn connects to a Legacy Powerbloc2 amplifier driving my trusty Waveform Mach Solo speakers, supplemented by a Hsu Research ULS 15 Mk II subwoofer.