There probably isn’t
another conductor alive who knows the works of Benjamin Britten better than
Steuart Bedford. A booklet note tells us that he was an occasional collaborator
with the composer and conducted Britten’s operas “throughout the world,
including the world première of Death in
Venice in 1973.” I don’t know if that qualifies Bedford’s interpretations
as the most definitive ones--Previn, Hickox, Handley, Marriner, Rattle, and the
composer himself being no slouches with the scores--but Bedford certainly makes
them enjoyable.
I have to admit,
though, that I liked the first and last of the five works on the disc best.
They would be the youthful Simple
Symphony (1934) and the far more mature but still enthusiastic Suite on English Folk Tunes (1974). The
three other pieces, Temporal Variations
(1936), A Charm of Lullabies (1947),
and Lachrymae (1976) are a bit too
serious and somber for my taste. Still, Bedford performs them all in an
obviously loving manner, with no excessive affectations to mar the naturalness
of the music.
The Naxos sound goes
a long way as well toward helping one enjoy the album. The Naxos engineers have
created a wonderfully clean, detailed soundstage, with instruments well defined
and frequency balances well gauged. As the Northern Sinfonia is a relatively
small group (Britten intended the music for chamber orchestras or even
quartets), the textures would presumably be more transparent, anyway, but the
Naxos sonics make a good thing even better. Well, actually, the relatively low
price probably makes it even better. I mean, what more could one ask for than
excellent performances in excellent sound at the such a reasonable price?
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