I’ve always thought of Janos Starker’s interpretation of
Dvorak’s Cello Concerto on Mercury as
typically masculine. Certainly, other men have essayed the work with equal
poise and distinction from Gendron (HDTT) to Wallfisch (Chandos) to
Rostropovich (DG) to Ma (Sony), but none of them seem to me to convey the same
strength, the same virile character as Starker does. Starker’s version is a
remarkable performance, indeed, although (to be punny) it may strike some
listeners as a little too stark.
The real downside, you see, is that Starker gives up
something in warmth and humanity--sensitivity, if you will--in his
interpretation. He plays the piece with a clinical precision that rather
overshadows the work’s romanticism, especially in the slow movement. Still, for
the outright vigor of the piece, I have always favored Starker above everyone
else.
But maybe I’m also just comparing sound quality here. For
years I owned the 1962 Mercury recording on vinyl; then in the Seventies I
bought it on a special Japanese audiophile LP; and in the early nineties I
welcomed the Mercury Living Presence CD issue, remastered by the original
producer, Wilma Cozart. This current SACD hybrid preserves Cozart’s CD mix (a
new transfer of the old master) and adds a new three-channel rendition as well,
if you have the player and speakers to accommodate it. In two-channel stereo,
as I listened, it sounds as sharply delineated as ever, perhaps even clearer in
the new SACD mode, with a wide, well-balanced stereo spread, and a cello that appears
to be in the very room with the listener.
No other recording of the work sounds as natural or as
impressive as this one, although the Gendron from HDTT comes close. Couple the Cello Concerto to a lovely reading of
Max Bruch’s Kol Nidrei and a
less-interesting but still well recorded version of Tchaikovsky’s Variations on a Rococo Theme, and you
get a splendid album. If you don’t already own the CD, I suggest you at least
give a listen to this SACD.
JJP
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