Classical Music News of the Week: Sept. 11, 2011
Friday, March 9 - Sunday, March 18, 2012
Ralph Kirshbaum, Artistic Director
The USC Thornton School of Music and the L.A. Philharmonic in partnership with The Colburn School and the Los Angeles Chamber Orchestra bring together masters of the cello and young cellists from around the world for the inaugural Piatigorsky International Cello Festival, a unique celebration of the cello, its music and its musicians. Twenty-two outstanding artists, representing twelve countries, converge on Los Angeles for ten days, March 9 through 18, 2012, to share their artistry and teaching experience through orchestral concerts, chamber music performances, master classes and interactive events. The Festival is led by Artistic Director and USC Thornton School of Music Piatigorsky Chair, Ralph Kirshbaum, in honor of Gregor Piatigorsky , one of the legends of the cello whose tenure at USC heralded a period of incredible vibrancy in the cultural life of Los Angeles.
The opening concert features the American premiere of Thomas Demenga's Double Concerto performed by the composer and his brother Patrick, and the appearance of 2011 Tchaikovsky Competition Gold Medalist Narek Hakhnazaryan performing Saint-Saëns' Cello Concerto No. 1 with the Festival Orchestra. In addition to the American premiere of Demenga's Double Concerto, the Festival presents the American premiere of Miklós Perényi's Scherzo with Introduction, continuing the tradition of great cellist/composers exemplified by Piatigorsky. Other highlights include the unique opportunity to hear the six solo suites of Bach performed consecutively by six different cellists, and an evening of film and discussion celebrating the life and career of Gregor Piatigorsky enlivened by a panel that includes his grandson, Evan Drachman, and six of Piatigorsky's esteemed former students. Master Recital programs highlight an exciting diversity of works ranging from contemporary compositions to seldom performed masterpieces. Three of the Festival's concluding concerts, a Los Angeles Philharmonic subscription series conducted by Neeme Jä rvi, showcase outstanding soloists performing Dvorák, Shostakovich, and Tchaikovsky. The Festival's finale features over 100 cellists on the stage of Walt Disney Concert Hall for the West Coast premiere of Rapturedux by Christopher Rouse.
This ten day gathering of diverse musical values and points of view will strive to provide an inspirational showcase that will resonate throughout the world. The rich and varied kaleidoscope of master classes, recitals and concerts given by some of the greatest cellists of our time provides a unique opportunity to bring together the leading musical institutions of Los Angeles with representatives of the broader international music community.
Cellists will include Patrick Demenga, Thomas Demenga, Evan Drachman, Narek Hakhnazaryan,
Frans Helmerson, Gary Hoffman, Steven Isserlis, Terry King, Ralph Kirshbaum, Ronald Leonard, Laurence Lesser, Antonio Lysy, Mischa Maisky, Miklós Perényi, Jean-Guihen Queyras, Nathaniel Rosen, Andrew Shulman, Jeffrey Solow, Peter Stumpf, Raphael Wallfisch, Jian Wang, Alisa Weilerstein, and members of the L.A. Cello Society.
Pianists will include Ayke Agus, Bernadene Blaha, Rina Dokshitsky, Kevin Fitz-Gerald, Jeffrey Kahane, Antoinette Perry, and Connie Shih. The narrator will be John Rubinstein, and the conductors
Neeme Järvi, Courtney Lewis, and Hugh Wolff.
--Nate Bachhuber, Kirshbaum Demler & Associates
Strathmore Announces Musicians in 2011-2012 Artists in Residence
AIR program expands with acceptance of first electronica, Gypsy jazz, R&B
North Bethesda, MD: Strathmore's burgeoning Artist in Residence (AIR) program continues to grow in its seventh season with the induction of its first electronica, Gypsy jazz and R&B musicians. Since its inception in 2005, Strathmore's AIR program has helped to support the local music community by nurturing the careers of 34 emerging musicians. 2011-2012 AIR participants are Gypsy Jazz vocalist Mary Alouette, singer-songwriter ellen cherry, soul electric guitarist Nate Foley, R&B vocalist Jay Hayden, electronica musician Yoko K and clarinetist Rob Patterson. AIR participants will be mentored by established local musicians Dan Hovey, Seth Kibel and Connaitre Miller.
AIR concerts in the Mansion begin on Wednesday, September 14, 2011 at 7:30 p.m. with clarinetist Rob Patterson in the Shapiro Music Room. All AIR concerts in the Mansion begin at 7:30 p.m. Admission to Artists in Residence concerts is $12 for the general public and $10.80 for Strathmore Stars. Admission to AIR mentor concerts is $15 for the general public and $13.50 for Strathmore Stars.
Strathmore's AIR program cultivates local musical talent in the Washington, D.C. area. Emerging talents hone their craft through intense mentor relationships with established performers. Artists in Residence build their business acumen through professional development workshops, create school outreach programs and perfect their stage presence and expand their audiences during live performances. Each Artist in Residence is a featured performer in the Mansion at Strathmore for one month, in which they present salon-style concerts. The AIR experience culminates in the premiere of a new work commissioned by Strathmore, reflecting each musician's growth during the program. AIR graduates include Grammy nominated hip hop artist Christylz Bacon, celebrity jazz harmonicist Frédéric Yonnet, Saddle Creek recording artist Laura Burhenn and her band, the mynabirds, and ukulele chanteuse Victoria Vox.
--Michael Fila, Strathmore
William (Bill) Heck, Contributing Reviewer
Among my early childhood memories are those of listening to my mother playing records (some even 78 rpm ones!) of both classical music and jazz tunes. I suppose that her love of music was transmitted genetically, and my interest was sustained by years of playing in rock bands – until I realized that this was no way to make a living. The interest in classical music was rekindled in grad school when the university FM station serving as background music for studying happened to play the Brahms First Symphony. As the work came to an end, it struck me forcibly that this was the most beautiful thing I had ever heard, and from that point on, I never looked back. This revelation was to the detriment of my studies, as I subsequently spent way too much time simply listening, but music has remained a significant part of my life. These days, although I still can tell a trumpet from a bassoon and a quarter note from a treble clef, I have to admit that I remain a nonexpert. But I do love music in general and classical music in particular, and I enjoy sharing both information and opinions about it.
The audiophile bug bit about the same time that I returned to that classical music. I’ve gone through plenty of equipment, brands from Audio Research to Yamaha, and the best of it has opened new audio insights. Along the way, I reviewed components, and occasionally recordings, for The $ensible Sound magazine. Recently I’ve rebuilt--I prefer to say reinvigorated--my audio system, with a Sangean FM HD tuner and (for the moment) an ancient Toshiba multi-format disk player serving as a transport, both feeding a NAD C 658 streaming preamp/DAC, which in turn connects to a Legacy Powerbloc2 amplifier driving my trusty Waveform Mach Solo speakers, supplemented by a Hsu Research ULS 15 Mk II subwoofer.