Also, Four Sea Interludes. Elgar: Enigma Variations. Paavo Jarvi, Cincinnati Symphony Orchestra. Telarc CD-80660.
Call this one the return of the big bass drum. Telarc engineers made quite a name for themselves in the early days of digital recording with the sound of their bass, but for whatever reason the famous Telarc low end seemed to have diminished somewhat in the past decade. Not here. The bass came back with a vengeance.
First, a word about the performances. Maestro Paavo Jarvi and the Cincinnati Symphony Orchestra offer up acceptable if slightly unresponsive renditions of these well-worn British warhorses. Of the three sets of music presented--Britten's Young Person's Guide (Variations and Fugue on a Theme of Purcell), with its emphasis on highlighting different instruments of the orchestra; his impressionistic Four Sea Interludes from the opera Peter Grimes; and Elgar's Variations on an Original Theme, Enigma--I enjoyed the Elgar most of all.
Perhaps hearing Britten conducting his own Young Person's Guide (Decca/JVC) and Andre Previn and the London Symphony (EMI) and Michael Stern and Kansas City Symphony (Reference Recordings) doing the Sea Interludes (EMI) have spoiled me for anything else, I don't know. Certainly, Jarvi does a more-than-competent job with them. Not that the Enigma music is all that much more characterized, though; compared to the likes of Boult and Barbirolli (EMI), Jarvi is still a little undernourished. But as the Variations build up, one senses Jarvi's enthusiasm increasing for the subject matter, and he melds the various individual components into a pleasing whole.
The Telarc sound begs the listener to play it at volume. Otherwise, it's a little vague and soft. However, if you turn it up a notch or two, it comes to life. The outlines of the sonics are firm, solid, the stereo spread is wide, and the bass can be thunderous. There is perhaps too little information presented in the center of the sound stage for absolute realism, but it is a minor concern.
JJP
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