Sep 12, 2010

Bruckner: Symphony No. 4 (CD review)

Karl Bohm, Vienna Philharmonic Orchestra. Decca Originals 475 8403.

In his booklet note, musician and writer Andrew Huth takes Anton Bruckner (1824-1896) to task for labeling his Fourth Symphony "Romantic," preferring that the composer had allowed it to stand on its own rather than impose any kind of program on it. I'm just the opposite; I enjoy listening to the music with visions of knights, castles, hunts, and merrymaking dancing in my head. In any case, maestro Karl Bohm's 1973 recording of the work is among the best, and most complete, renderings of the Fourth on disc, and Decca apparently thought the public liked it so well that they reissued it in their "Originals" series of well-known, well-received classic recordings.

Bohm's interpretation with the Vienna Philharmonic ranks high on my list of all-time favorite Bruckner Fourths. I still consider Klemperer's performance (EMI) foremost for its greater majesty and stronger symphonic weight, and maybe Jochum's older recording (DG) next in line for its greater mystery and atmosphere in the opening movement, but there is no denying Bohm's complete mastery of the score. The whole thing moves implacably forward with strength, grace, and style. In fact, the second movement Andante is perhaps more beautiful under Bohm than under any other conductor.  Bohm was greatly underrated, often thought of as merely a conservative "kapplemeister." Maybe he was sometimes, but not always. Here, there are no fussy heroics, true, just a simple presentation of the music. The work unfolds at its own pace and is all the more eloquent for it.

For their "Originals" reissue, Decca used the same 24-bit/96k Hz master they used for their "Legends" release of half a dozen years earlier. So, if you already have that one, there is no need for this later edition. But if you don't own the recording and you like Bohm's Bruckner, you might consider this later issue. The sound is big, full, rich, detailed, and dynamic. However, there remains a metallic edge, a slight upper-midrange glassiness, that the processing has not completely eliminated. I'd say, don't worry about it.

I enjoy this recording every time I listen to it, and I know it will continue to provide me hours of pleasurable listening. Incidentally, Decca have given the disc a new appearance, too. As with other titles in their "Originals" series, the Bruckner disc looks like a miniature LP, and they have replicated the original cover art on the booklet insert. It's quite distinctive.

JJP

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