Jan 12, 2010

Holst: The Planets (CD review)

Also, Asteroids.  Sir Simon Rattle, Berlin Philharmonic Orchestras.  EMI Classics 0946 3 69690 2 (2-disc set).

Gimmicks, gimmicks, gimmicks.  If you ain't got a gimmick these days, you ain't got a record. I mean, how often have record companies issued Gustav Holst's The Planets?  Maybe 800 times in stereo alone? So, the gimmick here is that EMI not only added Colin Matthews's "Pluto" to the Planets lineup, but they included a second disc called "Asteroids," additional space-related compositions, plus a "Making-of" video enhanced for computers. I wish I could say much of it works.

Sir Simon Rattle had already recorded The Planets digitally for EMI with the Philharmonia Orchestra, so why he thought he needed to do it again is anybody's guess. Certainly, the performance seems not much different than before. It's still a fairly conventional interpretation to my ears, with Matthews's "Pluto" having the unfortunate distinction of not being up to the quality of Holst's work and the celestial Pluto not even being a full-fledged planet anymore.

Then, on a second disc there are four brief, spacey works:  Kaija Saariaho's "Asteroid 4179"; Matthias Pintscher's "Towards Osiris"; Mark-Anthony Turnage's "Ceres"; and Brett Dean's "Komarov's Fall." They last from four-to-seven minutes each, and with the exception of Turnage's piece, which turns somewhat jazzy in the middle, they sound a little like sci-fi movie soundtracks.

Also, with Rattle in charge of one of the most gorgeous-sounding orchestras in the world, it continually mystifies why he or EMI seem to insist upon doing most of his new albums live. I suppose it's a cost-saving move, but still.... This album is described as having been "recorded in concert: March 15-18, 2006, Philhrmonie, Berlin." Unfortunately, the sound is ordinary at best, often clear and realistic in the upper midrange and treble but just as often vague and ineffectual, without much in the way of strong dynamics or deep-bass support. Just listen to Andre Previn's much older EMI recording (or Adrian Boult's EMI recording, for that matter) and check out how much better The Planets can really sound.

JJP

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